50 Jahre PIN: Freunde der Pinakothek der Moderne, Staatlichen Graphischen Sammlung München,
Munich, Germany

Colle ted ea estrei a ner and t an a ner itne Museum o Ameri an Art e or Musée national d art modern Centre Pompidou Paris ran e Inaugural installation, The Broad, Los Angeles, CA

Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany

New Skin, Aïshti Foundation, Jal el Dib, Lebanon

The World is Made of Stories: Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway

America Is Hard to See, Whitney Museum of American Art, New York, NY

Beneath The Surface, De La Cruz Contemporary Art Space, Miami, FL

Carte Blanche to Luhring Augustine, Galerie Patrick Seguin, Paris, France

Chromophobia, Gagosian Gallery, Geneva, Italy

Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hood Museum of
Art, Dartmouth College, Hanover, NH

Geometries On and Off the Grid: Art From 1950 to the Present, The Warehouse, Dallas, TX

Matters of Pattern, Skarstedt Gallery, New York, NY.

Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Paris, France and Berlin, Germany.

Other Planes of There, Corbett vs. Dempsey, Chicago, IL

The Shell (Landscapes, Portraits & Shapes), Almine Rech Gallery, Paris, France.

Stories We Tell Ourselves, Aspen Art Museum, Aspen, CO.

Transcending Material, Institute of Contemporary Art/Boston, Boston, MA

True Monotypes, International Print Center New York, New York, NY.

Sinnliche Ungewissheit: Eine private Sammlung, Kunsthaus Zurich, Zurich, Switzerland

Sprayed, Gagosian Gallery, London, UK.

Zabludowicz Collection: 20 Years, Zabludowicz Collection, London, UK.

Deliverance: Larry Clark, Cady Noland, Richard Prince, Christopher Wool, The Brant Foundation Art
Study Center, Greenwich, CT.

To Have and to Hold, Rubell Family Collection, Miami, FL

I was a double, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College,
Saratoga Springs, NY

New York in the 1980s: Urban Theater, The Modern Art Museum of Fort Worth, Fort Worth, TX.

Urban Theater: New York Art in the 1980s, The Modern Art Museum of Forth Worth, Fort Worth, TX

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los
Angeles, CA.

A letter always arrives at its destinationS, La Panacée, Montpellier, France.

Love Story - Sammlung Anne und Wolfgang Titze, Winter Palace and 21er Haus, Vienna, Austria.

Bad Thoughts: The Collection of Martijn and Jeannette Sanders, Stedelijk Museum, Amsterdam, The
Netherlands.

Beware Wet Paint, Institute of Contemporary Art, London, UK.

Beware Wet Paint, Fondazione Sandretto Re Rebaudengo, Turin, Italy.

Cool Place. Sammlung Scharpff, Kunst Museum Stuttgart, Stuttgart, Germany.

Damage Control: Art and Destruction Since 1950, Hirschhorn Museum and Sculpture Garden,
Washington D.C.; MUDAM Luxembourg, Luxembourg; Kunsthaus Graz - Universalmuseum
Joanneum, Graz, Austria.

Dries Van Noten – Inspirations, Les Arts Décoratifs, Paris, France.

Halftone: Through the Grid, Galerie Max Hetzler, Paris, France.

HE: The Hergott Shepard Photography Collection, The University of Michigan Museum of Art, Ann Arbor,
MI

Made in New-York, Charles Riva Collection, Brussels, Belgium.

No Problem: Cologne/New York 1984-1989, David Zwirner, New York, NY

One Way: Peter Marino, Bass Museum of Art, Miami, FL.

Stars + Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst Regional Art
Gallery, Bathurst, Australia

Taking a Line for a Walk, Zentrum Paul Klee, Bern, Switzerland.

Walk the Line, Simon Lee Gallery, Hong Kong, China.

6 Artists, Eleni Koroneou Gallery, Athens, Greece.

In-between, Skarstedt Gallery, London, England.

Remember Everything, Galerie Max Hetzler, Berlin, Germany.

The Show Is Over, Gagosian Gallery, London, England.

Summer of Photography, Carolina Nitsch, New York, NY.

Transforming the Known: Works from the Bert Kreuk Collection, Gemeentemuseum Den Haag, The
Hague, The Netherlands.

Xerography, Firstsite, Colchester, Essex, UK

A Window on the World: From Durer to Mondrian and Beyond: Looking through the Window of Art from the Renaissance to Today, Museo Cantonale d’Arte Lugano Switzerland Museo d’Arte Lugano
Lugano, Switzerland; Fondation de l’Hermita e, Lausanne, Switzerland.

Contemporary Painting, 1960 to the Present: Selections from the SFMOMA Collection, San Francisco
Museum of Modern Art, San Francisco, CA.

DOGMA, Metro Pictures, New York, NY.

Don’t Be Shy, Don’t Hold Back: The Logan Collection at SFMOMA, San Francisco Museum of Modern
Art, San Francisco, CA.

Mix/Remix, Luhring Augustine, New York, NY.

Open for the Stones, Vol. 2 Harper’s Books East Hampton

The Painting Factory: Abstraction after Andy Warhol, Museum of Contemporary Art, Los Angeles, CA.

Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art Chicago, Chicago, IL.

Print/Out: 20 Years in Print, Museum of Modern Art, New York, NY.

Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York, NY.

This Will Have Been: Art, Love and Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago, IL

American Exuberance, Rubell Family Collection, Miami, FL.

Wysiwyg – What You(ngs) See Is What You Get, Rosenblum Collection & Friends, Paris, France

54th International Art Exhibition: ILLUMInations, Venice Biennale, Venice, Italy.

Accrochage, Carolina Nitsch Project Room, New York, NY.

After Images, Musée Juif de Belgique / Joods Museum van België, Brussels, Belgium.

Black Swan: The Exhibition, Regen Projects, Los Angeles, CA.

Dark Christmas, Leo Koenig Inc., New York, NY.

If You Lived Here, You’d Be Home By Now, Center for Curatorial Studies—Hessel Museum of Art,
Annandale-on-Hudson, NY.

Imagination to Power: Policy in the Artist’s Poster, Museum für Kunst und Gewerbe Hamburg, Hamburg, Germany.

It’s Great to be in New Jersey, Honor Fraser, Los Angeles, CA

Le printemps de Septembre—à Toulouse, Toulouse, France.

The Minimal Gesture, Timothy Taylor Gallery, London, England.

Musical Moves: Albert Oehlen and Christopher Wool, Rice University Media Center, Houston, TX.

Painting . . . EXPANDED, Berezdivin Collection at Espacio 1414, Santurce, Puerto Rico.

Peace Press Graphics 1967 – 1987: Art in the Pursuit of Social Change, University Art Museum,
California State University, Long Beach, CA.

Untitled (Painting), Luhring Augustine, New York, NY.

What You(ngs) See Is What You Get, Rosenblum Collection and Friends, Paris, France.

Alpha and Omega: Works from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art,
Athens, Greece.

Barbaric Freedom, Simon Lee Gallery, London, England.

Biennale of the Art of Painting: Beyond the Sublime, Museum Dhondt-Dhaenens, Deurle, Belgium.

Changing Soil: Contemporary Landscape Painting (Za Fukei), Nagoya/Boston Museum of Fine Arts, Nagoya, Japan.

Collision, Museum of Art Rhode Island School of Design, Providence, RI.

Crash: Homage to JG Ballard, Gagosian Gallery, London, England.

Destroy Design: Art contemporain et/ou design Collection du FRAC-Nord pas Calais, Musée de Design et
d’Arts Appliqués Contemporains Lausanne, Switzerland.

Micheline chez Mai 36, Mai 36 Galerie, Zurich, Switzerland.

Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Museo Nacional
Centro de Arte Reina Sofía, Madrid, Spain.

Nachleben, Goethe-Institut New York, New York, NY.

Ordinary Madness, Carnegie Museum of Art, Pittsburgh, PA.

Outside the Box: Edition Jacob Samuel, 1988–2010, Armand Hammer Museum of Art and Culture
Center, Los Angeles, CA.

Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA.

Process/Abstraction, Paul Kasmin Gallery, New York, NY.

RSTW: From the Private Collection of Larry Gagosian, Manarat Al Saadiyat, Abu Dhabi, United Arab
Emirates.

Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, NY.

SML, Greenberg Van Doren Gallery, New York, NY.

Summer Group Show, Skarstedt Gallery, New York, NY.

Twenty Five, Luhring Augustine, New York, NY.
Your History Is Not Our History, Haunch of Venison, New York, NY.

A colecção, Museu de Arte Contemporânea de Serralves, Porto, Portugal.

And Other Essays, Center for Curatorial Studies—Hessel Museum of Art, Annandale-on-Hudson, NY.

The Anniversary Show, San Francisco Museum of Modern Art, San Francisco, CA.

Beg Borrow and Steal, Rubell Family Collection Museum, Miami, FL.

Black & White, Stellan Holm Gallery, New York, NY.

The Broad Art Foundation’s 25th Anniversary, Santa Monica, CA.

Constellations: Paintings from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, IL.

Remembering Henry’s Show, Selected Works 1978–2008, The Brant Foundation Art Study Center, Greenwich, CT.

Rotating Views #2—Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway.

Stages, Galerie Emmanuel Perrotin, Paris, France; Deitch Projects, New York, NY.

Warhol Wool Newman: Painting Real, Kunsthaus Graz, Graz, Austria.

A Wild Night and a New Road, Altman Siegel, San Francisco, CA.

Always There: Part 2, Galerie Max Hetzler, Berlin, Germany.

Blue Balls, Art Production Fund, New York, NY.

Communication Breakdown, Andrew Edlin Gallery, New York, NY.

Fighting Words: Voices of Dissent: Social, Political and Environmental Statements, Fisher Landau Center
for Art, Long Island City, NY.

For What You Are About to Receive, Gagosian Gallery, Moscow, Russia.

Kunst im Heim, Capitain Petzel, Berlin, Germany.

Meet Me around the Corner—Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway.

Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, Armand Hammer Museum of Art
and Culture Center, Los Angeles, CA.

Painting Now and Forever, Part II, Matthew Marks Gallery, New York, NY.

Pintura (Aún)—Painting (Still), Galería Elba Benítez, Milan, Italy.

Psychopts: Richard Hell, Christopher Wool, John McWhinnie @ Glenn Horowitz Bookseller, New York, (artists’ oo ).

Recent Acquisitions, Skarstedt Gallery, New York, NY.

Sammlung / Collection—Migros Museum für Gegenwartskunst Zürich 1978–2008, Migros Museum für
Gegenwartskunst, Zurich, Switzerland.

Sonic Youth Etc.: Sensational Fix, LiFE, Saint-Nazaire, France; Museion, Bolzano, Italy.

Sotto Voce, Yvon Lambert, New York, NY.

Summer Exhibition, Skarstedt Gallery, New York, NY.

The Unforgiven, Stellan Holm Gallery, New York, NY.

Who’s Afraid of Jasper Johns? Tony Shafrazi Gallery, New York, NY.

Albert Oehlen, Christopher Wool: Prints, 1018 Art, New York, NY

Camouflage, Portland Museum of Art, Portland, ME.

Christian Stein, Milan, Italy.
Collezione Maramotti, The Max Mara Fashion House, Reggio Emilia, Italy.

Degree Zero, Richard Telles Fine Art, Los Angeles, CA.

Door Cycle, Friedrich Petzel Gallery, New York, NY.

Dream and Trauma: Works from the Dakis Joannou Collection, Athens, Kunsthalle Wien, Vienna, Austria; and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria.

For the People of Paris, Sutton Lane, Paris, France.
Hunky Dory, Gary Tatintsian Gallery, Moscow, Russia.

Insight? Gagosian Gallery, Moscow, Russia.

Irreversible, Stellan Holm Gallery, New York, NY.

Lines, Grids, Stains, Words, Museum of Modern Art, New York, NY; Museu de Arte Contemporânea de
Serralves, Porto, Portugal; Museum Wiesbaden, Wiesbaden, Germany.

Michèle Didier Project—Part 2: Christopher Wool and Josh Smith, Michèle Didier Project, Paris, France.

Painting as Fact—Fact as Fiction, de Pury and Luxembourg, Zurich, Switzerland.

Pop Art Is:, Gagosian Gallery, London, England.

Pop Art: 1960s–2000s: From Misumi Collection, Museum of Modern Art, Ibaraki, Japan; Hiroshima City, Museum of Contemporary Art, Hiroshima, Japan; Hachioji Yume Art Museum, Tokyo, Japan.

What Is Painting? Contemporary Art from the Collection, Museum of Modern Art, New York, NY.

Make Your Own Life: Artists in and out of Cologne, Institute of Contemporary Art, Philadelphia, PA; The
Power Plant, Toronto, Canada; Henry Art Gallery, Seattle, WA; Museum of Contemporary Art, North
Miami, Miami, FL.

The 80s: A Topology, Museu Serralves, Porto, Portugal.

Art Metropole: The Top 100, National Gallery of Canada, Ottawa, Canada.

Broken Surface, Sabine Knust Matthias Kunz Editions, Munich, Germany.

Christopher Wool: Artist in Residence, Chinati Foundation, Marfa, TX.

Color Aside, Luhring Augustine, New York, NY.

Defamation of Character, MoMA PS1, Long Island City, NY.

The Dimes of March, Reena Spaulings Fine Art, New York, NY.

The François Pinault Collection—A Post-Pop Selection, Palazzo Grassi, Venice, Italy.

Glenstone: The Inaugural Exhibition, Glenstone Foundation, Potomac, MD.

Idées de la peinture: Hommage a Martin Barre, Galerie Nathalie Obadia, Paris, France.

Interstellar Low Ways, Hyde Park Art Center, Chicago, IL.

The Kate Show, Foam, Amsterdam, The Netherlands.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video,
Grimaldi Forum, Monaco.

“Not Quite Ten Years without Martin Kippenberger”: A Project by Chris Hammond, MOT, London, England.

The Other Side #2, Tony Shafrazi Gallery, New York, NY.

The Other Side, Tony Shafrazi Gallery, New York, NY.

Over the Limit, Portalakis Collection, Athens, Greece.

Pop Art 1960’s–2000’s from Lichtenstein, Warhol to the Current Generation, Seiji Togo Memorial Sompo
Japan Museum of Art, Tokyo, Japan.

Word, Deborah Colton Gallery, Houston, TX.

Wrestle: Marieluise Hessel Collection, Center for Curatorial Studies—Hessel Museum of Art, Annandaleon-Hudson,
NY.

A Knock at the Door . . ., South Street Seaport Museum, New York, NY.

Artists’ Books, Revisited, Art Metropole, Toronto, Canada.

Baldessari, Prince, Ruscha, Wool: Dialogue, Perry Rubenstein Gallery, New York, NY.

Big Bang: Creation and Destruction in the 20th Century, Pompidou Center, Paris, France.

Building and Breaking the Grid: 1962–2002, Whitney Museum of American Art, New York, NY.

Contemporary Voices: Works from the UBS Art Collection, Museum of Modern Art, New York, NY.

The Continuous Mark: 40 Years of the New York Studio School, New York Studio School of Drawing,
Painting and Sculpture, New York, NY.

Drawing from the Modern: 1975–2005, Museum of Modern Art, New York, NY.

Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea
Rosen Gallery, New York, NY.

The Painted Word: Text and Context in Contemporary Art (1981–1992), Stellan Holm Gallery, New York, NY.

Private View, 1980–2000: Collection Pierre Huber, Musée Cantonal des Beaux-Arts, Lausanne,
Switzerland.

Translation, Palais de Tokyo, Paris, France.

Works on Paper, Galerie Max Hetzler, Berlin, Germany.

10 Year Anniversary, Taka Ishii Gallery, Tokyo, Japan

Disturbing the Peace, Danese, New York, NY

Flower Power, Palais des Beaux-Arts de Lille, Lille, France.

Ground—Field—Surface, Robert Miller Gallery, New York, NY.

I Am the Walrus, Cheim & Read, New York, NY.

Indigestible Correctness Part II, Kenny Schachter/ ROVE, New York, NY.

Malerei: Herbert Brandl, Helmut Dorner, Adrian Schiess, Christopher Wool, ZKM | Museum für Neue
Kunst, Karlsruhe, Germany.

Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens,
Greece.

Group Exhibition, Nicole Klagsbrun, New York, NY

The Open Book, Hasselblad Center at Göteborgs Konstmuseum, Göteborg, Sweden.

Paintings, Galleri K, Oslo, Norway.

Power, Corruption and Lies, Roth Horowitz, New York, NY.

Quodlibet, Galerie Daniel Buchholz, Cologne, Germany.

Taschen Collection, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Trafic d’influences: Art & Design (Collection Frac Nord—Pas de Calais), Tri Postal, Lille, France.

William Gedney, Christopher Wool: Into the Night, P.S.1 Contemporary Art Center, New York, NY.

Family Ties: A Contemporary Perspective, Peabody Essex Museum, Salem, MA.

The Great Drawing Show; 1550–2003 A.D., Michael Kohn Gallery, Los Angeles, CA.

Ice Hot—Recent Painting from the Scharpff Collection, Hamburger Kunsthalle, Hamburg, Germany;
Staatsgalerie Stuttgart, Stuttgart, Germany.

An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art,
Oklahoma City, OK; Nevada Museum of Art, Reno, NV; Mobile Museum of Art, Mobile, AL.

It Happened Tomorrow, 7th Biennale d’Art Contemporain De L on, Lyon, France.

Not Afraid, Rubell Family Collection, Miami, FL.

Stranger in the Village: Contemporary Drawings and Photographs from the Museum of Modern Art, Guild Hall, East Hampton, NY.

Visual Poetics: Art and the Word, Miami Art Museum, Miami, FL.

A Way with Words, John Berggruen Gallery, San Francisco, CA.

Ahead of the 21st Century: The Pisces Collection, Fürstenberg Sammlungen, Donaueschingen,
Germany.

Broad Art Foundation, Santa Monica, CA.

Copy, Roth Horowitz, New York, NY.

Five by Five: Contemporary Artists on Contemporary Art, Whitney Museum of American Art at Philip
Morris, New York, NY.

Hello to Handmade Words, KS Art, New York, NY.

Imagine You Are Standing Here in Front of Me: Caldic Collectie. Museum Boijmans Van Beuningen,
Rotterdam, The Netherlands.

A New York Renaissance: Masterworks from the Collection of the Whitney Museum of American Art,
Palazzo Reale, Milan, Italy.

Painting on the Move, Kunstmuseum Basel, Basel, Switzerland; Museum für Gegenwartskunst Basel,
Basel, Switzerland; Kunsthalle Basel, Basel, Switzerland.

A Thousand Hounds, Paine Webber Art Gallery, New York, NY; Norton Museum of Art, West Palm
Beach, FL; Richard M. Ross Art Museum, Delaware, OH; Durham Western Heritage Museum,
Omaha, NE; Winnipeg Art Gallery, Manitoba, Canada; Delaware Art Museum, Wilmington, DE;
Columbus Museum of Art, Columbus, OH; Albin O. Kuhn Library and Gallery, University of Maryland,
Baltimore, MD; Keihan Gallery, Osaka, Japan; Seibu Department Store, Tokyo, Japan.

To Be Looked At: Painting and Sculpture from the Collection, Museum of Modern Art, New York, NY.

We Love Painting: The Contemporary American Art from Misumi Collection, Museum of Contemporary
Art, Tokyo, Japan.

Christopher Wool, New Paintings, Herbert Brandl, Neue Bilder, Sabine Knust, Munich, Germany.

New Acquisitions from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens,
Greece.

Parkett: Collaborations and Editions since 1984, Museum of Modern Art, New York, NY.

Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, Denmark.

Trauma, Dundee Contemporary Arts, Dundee, Scotland.

W, Musée des Beaux Arts de Dole, Dole, France.

A Way with Words, Whitney Museum of American Art at Phillip Morris, New York, NY.

00 Drawings 2000, Barbara Gladstone Gallery, New York, NY.

Art at MoMA since 1980, Museum of Modern Art, New York, NY.

Food for the Mind: Die Sammlung Udo und Anette Brandhorst, Staatsgalerie Moderner Kunst, Munich,
Munich, Germany.

La Prima Idea: Aktuelle Malerei auf Papier, Graphische Sammlung der ETH Zürich, Zurich, Switzerland.

Le jeu des 7 familles Musée d’art Moderne et Contemporain Geneva, Switzerland.

Malerei, Charim Klocker, Vienna, Austria.

Mixing Memory and Desire, New Museum of Art Lucerne, Lucerne, Switzerland.

On Language, Sean Kelly Gallery, New York, NY.

The Swamp: On the Edge of Eden, Samuel P. Harn Museum of Art, Gainesville, FL.

To Infinity and Beyond, Brooke Alexander Gallery, New York, NY.

The American Century: Art and Culture 1950–2000, Whitney Museum of American Art, New York, NY.

Art at the End of the Century—Contemporary Art from the Milwaukee Art Museum, Birmingham Museum
of Art, Birmingham, AL.
Bloom: Contemporary Art Garden, Milan, Italy.

Een keuze, FRAC Nord—Pas de Calais, Dunkerque, France.

Free Coke, Greene Naftali Gallery, New York, NY.

Galerie Ghislaine Hussenot, Paris, France.

The Great Drawing Show 1550 to 1999, Kohn Turner Gallery, Los Angeles, CA.

Multiplicity, Angles Gallery, Santa Monica, CA.

The Passion and the Waves, 6th International Istanbul Biennial, Istanbul, Turkey.

Silent Treatment: Projecting Narrative, Aspen Art Museum, Aspen, CO.

Visualizing Digiteracy: Considering Current Technologies, Memphis College of Art, Memphis, TN

Die Parkett-Kunstlereditionen im Museum Ludwig, Museum Ludwig, Cologne, Germany.

Double Trouble: The Patchett Collection, Museum of Contemporary Art, San Diego, CA.

Elements of the Natural, The Museum of Modern Art, New York, NY.

Exploiting the Abstract, Feigen Contemporary, New York, NY.

Exterminating Angel, Galerie Ghislaine Hussenot, Paris, France.

Harriet Craig, apexart, New York, NY.

Luhring Augustine, New York, NY.

The Patchett Collection, Museum of Contemporary Art San Diego, San Diego, CA.

Real Stories, Marianne Boesky Gallery, New York, NY; Friedrich Petzel Gallery, New York, NY.

Scratches on the Surface of Things—Acquisitions of Contemporary American Art, Museum Boijmans Van
Beuningen, Rotterdam, The Netherlands.

Six Americans, Skarstedt Fine Art, New York, NY.

Weather Everything, Galerie für Zeitgenössische Kunst Leipzig, Leipzig, Germany.

American Realities: Views from Abroad: European Perspectives on American Art 3, Whitney Museum of
American Art, New York, NY.

Birth of the Cool: American Painting from Georgia O’Keeffe to Christopher Wool, Kunsthaus Zürich,
Zurich, Switzerland; Deichtorhallen Hamburg, Hamburg, Germany.

Family Values, Hamburger Kunsthalle, Hamburg, Germany.

Galerie Samia Saouma, Paris
On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, Museum of Modern
Art, New York, NY.

Painting Photography Drawing, Anton Kern Gallery, New York, NY.

Serial Imagery: Andy Warhol, Christopher Wool, Philip Taaffe, Kohn Turner Gallery, Los Angeles, CA.

Cenas domesticas, Módulo Gallery, Lisbon, Portugal.

Everything That’s Interesting Is New: The Dakis Joannou Collection “ e a tor ” At ens S ool o ine
Arts, Piraeus, Greece; Museum of Modern Art, Copenhagen, Denmark; Guggenheim Museum SoHo,
New York, NY.

Fellows of the American Academy in Rome, The Equitable Center, New York, NY.

Gray Matter, Mark Moore Gallery, Santa Monica, CA.

Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica, CA.

New Art on Paper, 2, Philadelphia Museum of Art, Philadelphia, PA.

Peinture—Peinture, Galerie Samia Saouma, Paris, France.

Screen, Friedrich Petzel Gallery, New York, NY.

The Sense of Order, Moderna Galerija, Ljubljana, Slovenia.

Thinking Print: Books to Billboards, 1980–95, Museum of Modern Art, New York, NY.

25 Americans: Painting in the 90s, Milwaukee Art Museum, Milwaukee, WI.

100 Works on Paper, Galerie de la Tour, Amsterdam, The Netherlands.
Art at Home: Ideal Standard Life, Spiral Garden 1F, Tokyo, Japan.

Articulations: Forms of Language in Contemporary American Art, Whitney Museum of American Art, New
York, NY.

Drawing on Chance: Selections from the Collection, Museum of Modern Art, New York, NY.

Duck, Edward Thorp Gallery, New York, NY.

Galleria Alessandra Bonomo, Rome, Italy.

Images against AIDS, Art Metropole, Toronto, Canada.

James Nares and Christopher Wool, Kohn Turner Gallery, Los Angeles, CA.

Luhring Augustine, New York, NY.

Made in U.S.A.: Original Works on Paper, Galerie Bob van Orsouw, Zurich, Switzerland.

Malerei, Galerie Max Hetzler, Berlin, Germany.

Notes on Print with and after Robert Morris, Ca inet des stampes du Musées d’Art et d’Histoire,
Geneva.

Pittura Immedia, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria; Künstlerhaus Graz,
Graz, Austria.

Ross Bleckner, Peter Cain, Carroll Dunham, Judith Eisler, Jane Hammond, Albert Oehlen, Jack Pierson,
Julian Trigo, Juan Usle, Christopher Wool, Galleri K, Oslo, Norway.

Wallpaper Works, Contemporary Arts Museum Houston, Houston, TX.

XL, Galerie Borgmann Capitain, Cologne, Germany

Contemporary Art from the Collection of the Migros Cooperatives, Museo Cantonale d’Arte, Lugano,
Switzerland.

Gift, The InterArt Center, New York, NY.

Ground, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands.

Herbert Brandl, Albert Oehlen, Christopher Wool, Národní Galerie v Praze, Prague, Czech Republic.

Lousy Fear, Randolph Street Gallery, Chicago, IL.

Museum of Modern Art Syros, Syros, Greece.

On Paper, Schmidt Contemporary Art, St. Louis, MO.

Ossuary, Luhring Augustine, New York, NY.

Some Like It Cool, Barbara Krakow Gallery, Boston, MA.

Supershadows of Understatement: Christopher Wool and Ulli Strothjohann, Eleni Koroneou Gallery,
Athens, Greece.

The Use of Pleasure, Terrain Gallery, San Francisco, CA.

VIOLENCE/Business GEWALT/Geschäfte, Neue Gesellschaft für Bildende Kunst, Berlin, Germany.

20th Anniversary Exhibition, Part II, Daniel Weinberg Gallery, Santa Monica, CA.

Barbara Krakow Gallery, Boston, MA.

Black and White, Schmidt Contemporary Art, St. Louis, MO.

The Brushstroke: Painting in the 90s, Ruth Bloom Gallery, Santa Monica, CA.

Die Sprache der Kunst, Kunsthalle Wien, Vienna, Austria; Frankfurter Kunstverein, Frankfurt, Germany.

Drawing the Line against AIDS, Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum
SoHo, New York, NY.

Empty Dress: Clothing as Surrogate in Recent Art, Neuberger Museum of Art, Purchase, NY; Virginia
Beach Center for the Arts, Virginia Beach, VA; University Gallery, University of North Texas, Denton,
TX; MacKenzie Art Gallery, Regina, Canada; Gallery Stratford, Stratford, Canada; Selby Gallery at
Ringling School of Art and Design, Sarasota, FL.

Gober, Kelley, Kippenberger, Koons, Sherman, Wool, Galerie Ursula Schurr, Stuttgart, Germany.

New York Painters, Sammlung Goetz, Munich, Germany.

Reading Prints, Museum of Modern Art, New York, NY.

Works by Younger Artists from the Collection of Richard Brown Baker, The Century Association, New York, NY.

Zeitsprunge: Collection of Rudolf und Ute Scharpff, Wilhelm-Hack-Museum, Ludwigshafen, Germany.

Allegories of Modernism: Contemporary Drawing, Museum of Modern Art, New York, NY.

Ars Pro Domo: Contemporary Art from Cologne Private Collections, Museum Ludwig, Cologne,
Germany.

Dark Décor, DePree Art Center, Holland, MI; San Jose Museum of Art, San Jose, CA; Florida Gulf Coast
Art Center, Belleair, FL; Monmouth Museum, Lincroft, NJ; Illingworth Kerr Gallery, Calgary, Canada.

Dirty Data: Collection of Wilhelm Schürmann, Ludwig Forum für internationale Kunst, Aachen, Germany.

documenta IX, Kassel, Germany.

Drawings, Stuart Regen Gallery, Los Angeles, CA.

Drawn in the Nineties, Katonah Museum of Art, Katonah, NY; Fine Arts Gallery, Indiana University,
Bloomington, IN; Illingworth Kerr Gallery, Calgary, Canada; Huntsville Museum of Art, Huntsville, AL.

Fifth Anniversary Show, Karsten Schubert, London, England.

Georg Herold, Albert Oehlen, Christopher Wool: Works on Paper, Jack Hanley Gallery, San Francisco, CA.

Landscape Untitled: Halley, Oehlen, Wool, Galeria Senda, Barcelona, Spain.
Luhring Augustine, New York, NY.

Multiplicity: An Exhibition of Recent Editions, Thea Westreich, New York, NY.

Oh! Cet Echo, Centre Culturel Suisse, Paris, France.

Plakate, Grazer Kunstverein, Graz, Austria.

Prints in Portfolios, Susan Sheehan Gallery, New York, NY.

Robbin Lockett Gallery, Chicago, IL.

Robert Gober, On Kawara, Mike Kelley, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel,
Cindy Sherman, Thomas Struth, Philip Taaffe, Christopher Wool, Galerie Max Hetzler, Cologne,
Germany; Thomas Borgmann, Cologne, Germany.

Slow Art: Painting in New York Now, PS1 Contemporary Art Center, Long Island City, NY.

Somewhere between Image and Text, Barbara Krakow Gallery, Boston, MA.

Spielhölle, Akademie der Künste und Wissenschaften, Frankfurt, Germany; Grazer Kunstverein, Graz,
Austria; Galerie Sylvana Lorenz, Paris, France.

Word-Image in Contemporary Art, James Howe Gallery, Kean College of New Jersey, Union, NJ.

Works on Paper: Forg, Gonzalez-Torres, Kilimnik, Kippenberger, Nares, Oehlen, Pensato, Prina, Wool,
Luhring Augustine, New York, NY.

American Art of the Eighties, Palazzo delle Albere, Trento, Italy.

At the End of the Day, Randy Alexander Gallery, New York, NY.

Carnegie International 1991, Carnegie Museum of Art, Pittsburgh, PA.

Drawing Acquisitions, 1980–1991: Selections from the Permanent Collection, Whitney Museum of
American Art at Philip Morris, New York, NY.

Druckgrafik, Galerie Gisela Capitain, Cologne, Germany.

A Duke Student Collects: Contemporary Art from the Collection of Jason Rubell, Duke University Museum
of Art, Durham, NC.

Gulliver’s Travels, Galerie Sophia Ungers, Cologne, Germany.

Herbert Brandl, Albert Oehlen, Christopher Wool, Galerie Peter Pakesch, Vienna, Austria.

Metropolis, Martin-Gropius-Bau, Berlin, Germany.

Museum of Natural History, Galerie Barbara Farber, Amsterdam, The Netherlands.

New American Art: Mary Beyt, Greg Colson, Christopher Wool, Ho Gallery World Art, Hong Kong.

Selections from the Elaine and Werner Dannheisser Collection: Painting and Sculpture from the 80s and
90s, Parrish Art Museum, East Hampton, NY.

Strange Abstraction, Touko Museum of Contemporary Art, Tokyo, Japan.

Words & #’s, Wright State University, Dayton, OH.

American Geometric Abstraction and Other Works from the Richard Brown Baker Collection, Yale
University Art Gallery, New Haven, CT.

Donald Baechler, Günther Förg, Georg Herold, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian
Schnabel, Terry Winters, Christopher Wool, Galerie Max Hetzler, Cologne, Germany.

Drawings, Luhring Augustine Hetzler, Santa Monica, CA.

In the Beginning . . . Cleveland Center for Contemporary Art, Cleveland, OH.

Language in Art, Aldrich Museum of Contemporary Art, Ridgefield, CT.

Michael Craig-Martin, Gary Hume, Christopher Wool: A Paintings Show, Karsten Schubert, London, England.

New Work: A New Generation, San Francisco Museum of Modern Art, San Francisco, CA.

Stephen Prina, Sam Samore, Christopher Wool, Galerie Ursula Schurr, Stuttgart, Germany.

A Decade of American Drawings 1980–1989, Daniel Weinberg Gallery, Los Angeles, CA.

Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts,
Miami, FL.

Drawings: Förg, Herold, Ruscha, Wool, Karsten Schubert Ltd., London, England.

Förg, Iglesias, Spalletti, Vercruysse, West, Wool, Joost Declercq, Ghent, Belgium; Max Hetzler, Cologne,
Germany; Luhring Augustine, New York, NY; Galerie Peter Pakesch, Vienna, Austria; Marga Paz,
Madrid, Spain; Mario Pieroni, Rome, Italy.

Georg Herold, Albert Oehlen, Christopher Wool, Renaissance Society at the University of Chicago,
Chicago, IL.

Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein München, Munich, Germany.

Horn of Plenty, Stedelijk Museum Amsterdam, Amsterdam, The Netherlands.

On Kawara: Again and Against, Portikus, Frankfurt, Germany; Renaissance Society at the University of
Chicago, Chicago, IL; Institute of Contemporary Arts, Nagoya, Japan; and Ivan Dougherty Gallery,
Sydney, Australia.

Prospect 89: Eine internationale Ausstellung aktueller Kunst, Frankfurter Kunstverein, Frankfurt, Germany; Schirn Kunsthalle, Frankfurt, Germany.

Repetition, Hirschl & Adler Modern, New York, NY.

Schmidt/Markow Gallery 1709, St. Louis, MO.
Whitney Biennial, Whitney Museum of American Art, New York, NY.

Bickerton, Gober, Halley, Koons, Prince, Vaisman, Wool, Daniel Weinberg Gallery, Los Angeles, CA.

The Bi-national: American Art of the Late 80s, Institute for Contemporary Art/Boston, Boston, MA; Museum of Fine Arts, Boston, MA; Städtische Kunsthalle, Düsseldorf, Germany; Kunstverein,
Bremen, Germany; Minneapolis Institute of Arts, Minneapolis, MN.

A Drawing Show, Cable Gallery, New York, NY.

Information as Ornament, Feature Gallery, Chicago, IL; Rezac Gallery, Chicago, IL.

James Casebere, Stephen Prina, Christopher Wool, Robbin Lockett Gallery, Chicago, IL.

The Light from the Other Side, Monika Sprüth Galerie, Cologne, Germany.

Robert Gober and Christopher Wool: A Project 303 Gallerie or (artists’ oo ).

Six Americans: Bleckner, Halley, Levin, Taaffe, Wool, Welling, Galerie Lelong, New York, NY.

Alexander, Bolande, Ebner, Kane, Wool, Robbin Lockett Gallery, New York, NY.

Ange Leccia, Christopher Wool, Cable Gallery, New York, NY.

Drawn Out, Kemper Gallery, Kansas City Art Institute, Kansas City, KS.

Facture, Laurie Rubin Gallery, New York, NY.

Industrial Icons, University Art Gallery at San Diego State University, San Diego, CA.

Johnson, Tasset, Wool, Kuhlenschmidt/Simon, Los Angeles, CA.

New Territories in Art: Europe/America, Michetti Foundation, Chieti, Italy.

Fabricated, Not Found, Loughelton Gallery, New York, NY.

Fortuyn/O’Brien, Lemieux, Mullican, Wool, Luhring, Augustine and Hodes Gallery, New York, NY.

The Gallery Show, Exit Art, New York, NY.

The Hidden Surface, Middendorf Gallery, Washington, DC.

Inaugural Exhibition, Robbin Lockett Gallery, Chicago, IL.

Jamie Wolff Gallery, New York, NY.

Painting, Abstraction Rediscovered, Rosa Esman Gallery, New York, NY.

Signs of Painting, Donald Young Gallery, Chicago, IL.

AIDS Benefit, Daniel Weinberg Gallery, Los Angeles, CA.

Apfelschnitt, Bills, Chamberlain, Lucas, Nares, Wool, Anne Plumb Gallery, New York, NY.

Botts, Lee, Miller, Wool, Barbara Toll Fine Arts, New York, NY.

Drawings 1975–1985, Barbara Toll Fine Arts, New York, NY.

Factura, Gallery Schlesinger-Boisante, New York, NY.

Painting, Sculpture, Photography, Cable Gallery, New York, NY.

Stigmata, Bond Street Gallery, New York, NY.

Chill Out New York, Kenkeleba Gallery, New York, NY.

Drawings, Barbara Toll Fine Arts, New York, NY.

Group Show, Paula Cooper Gallery, New York, NY.

Reverse Impressions: An Emphasis on Negative Space, City Gallery, New York, NY.

Saloon Salon, Bill Rice Gallery, New York, NY.

Sex, Cable Gallery, New York, NY.

Abbott, Fink, Lieber, Wool, Delahunty Gallery, New York, NY.

Big American Figure Drawings, Visual Arts Museum, New York, NY.

Selected Drawings, Jersey City Museum, Jersey City, NJ.

Group Exhibition, White Columns, New York, NY.

Le Jardin Decompose/Decomposed Garden, Gagosian Gallery, Le Bourget, Paris, France

"Richard Prince/Roe Ethridge, Gagosian Gallery, NY, NY.

"SED TANTUM DIC VERBO (JUST SAY THE WORD)", Blain/Sothern Gallery, Berlin, Germany.

"Ma-re Mount with Carl Andre, Liz Deschenes,Richard Prince, R.H. Quaytman, Ed Halter", Galerie Buchholz, Cologne, Germany

"Deliverance", The Brant Foundation Art Study Center, Greenwich, CT.

"ArtLovers- Stories of Art in the Pinault Collection", Grimaldi Forum of Monaco

"Urban Theater: New York Art in the 1980s", Modern Art Museum at Fort Worth, TX

"No Problem: Cologne/New York 1984-1989," David Zwiner Gallery, NY, NY

"The Shaped Canvas Revisited," Luxembourg & Dyan, NY, NY

"(Mis)understanding Photography Werke und Manifests," Museum Folkwang, Essen, Germany.

"Joyride," Marlborough Gallery, NY, NY.

"In Homage," Skarstedt Gallery, London.

"Disturbing Innocence," The FLAG Art Foundation, NY, NY.

“Big Pictures,” Amon Carter Moseum of American Art, Fort Worth, TX.

“Marcel Duchamp Nude Descending A Staircase: An Homage,” Francis M. Naumann Fine Art, NY, NY.

“PAPERWORK: A Brief History of Artist’s Scrapbooks,” Andrew Roth, NY, NY.

"Murderme," Pinacoteca Agnelli, Turin, Italy.

"Group Show," Gagosian Gallery, Hong Kong, China.

"I, You, We," Whitney Museum of American Art, NY, NY.

"Group Show," Post Box Gallery, London.

"The Spook Rock Rd," Galerie Frank Elbaz, Paris.

"In Between," Skarstedt Gallery, London.

"WANTED: Selected works from the Mugrabi collection: Any Warhol, Richard Prince, Tome Wesselmann," Tel Aviv Museum of Art, Israel.

"Tomorrow It's Time for the Future," Kunstraum Kreuberg, Berlin, Germany.

"Murdered Out," Skarstedt Gallery, NY, NY.

"The Show is Over," Gagosian Gallery.

"Christopher Wool Retrospective," Guggenheim Museum, NY, NY

"Collection Platform 4: Emotion and Technology," Pinchuk Art Centre, Ukraine.

"PISTON HEAD: Artists Engage the Automobile," Miami, FL.

“Funny”, The FLAG Art Foundation, NY, NY.

“Le jour d’avant”, Frac des Pays de la Loire, Carquefoe, FR.

“Regarding Warhol: Sixty Artists, Fifty Years”, Metropolitan Museum of Art, NY, NY.

“Residual Memory”, Aspen Art Museum, Aspen, CO.

“Matters of Fact”, Hessel Museum, CCS Bard, Annandale on Hudson, NY.

“Louis Vuitton / Marc Jacobs”, Musee de Artes Decoratifs de Paris, Paris, France.

“Spelling the Image”, Marc Jancou Gallery, NY, NY.

“The Grotesque Factor”, Museo Picasso Malaga, Malaga, Spain.

“The Feverish Library” Organized in cooperation with Mathew Higgs, Friedrich Petzel Gallery, NY, NY.

“Marxism”, 303 Gallery, NY, NY.

“Mix / Remix”, Luhring Augustine Gallery, NY, NY.

“Art and Press: Kunst. Wahreit. Wirklichkeit.”, Martin-Gropius-Bau, Berlin, Germany

“Hans Bellmer, John Currin, Marcel Duchamp, Llyn Foulks, Robert Heinecken, Tetsumi Kudo, Richard Prnce, Alina Szapocznikow, Hannah Wilke”, Andrea Rosen Gallery, NY, NY.

“True Stories: Amerikanische Fotografie aus der Sammlung Moderne Kunst, Pinakothek Der Moderne, Munich, Germany

“This Will Have Been: Art, Love & Politics in the 1980’s”, MCA, Chicago

“The State: The Coming Insurrection”, Traffic Gallery, Dubai, UAE.

“Fresh Kills”, Anonymous Gallery, Mexico City.
“Hoodwinked”, Nyehuas, NY, NY.

“Blind Cut”, Marlborough Gallery Chelsea, NY, NY.

“Paintings from the Rubell Family Collection”, Fundación Banco Santander in Boadilla (Madrid), Spain

“Return Trip: Art from the Bone Yard Project", Pima Air and Space Museum Tucson, AZ

“La chasse au Snark”, Galerie de Multiples, Paris

“Circa 1986”, Hudson Valley Center for Contemporary Art, Peekskill, NY

“Postmodernism: Style and Subversion 1970 – 1990” Victoria and Albert Museum, London

“No Substitute”, Glenstone Foundation, Potomac, MD.

“Verbotten”, Thomas Amann Fine Art, Zurich, Switzerland

“Sculpture Now”, Eva Presenhuber Gallery, Zurich, Switzerland

“Politics Is Personal”, Curated by Thea Westrich, Stonescape, Norman and Norah Stone Collection, Calistoga, CA.

“Nose Job”, Eric Firestone Gallery, Easthampton, NY.

“This Will Have Been: Art, Love & Politics in the 1980s”, MCA, Chicago, IL.

“Grisaille”, Curated by Alison Gingeras Luxembourg & Dayan, NY, NY.

“The Lords & the New Creatures”, Nye + Brown, Los Angeles, CA

“EXPOSITION D'OUVERTURE”, Le Cosortium, Dijon, France

“Through The Looking Brain: the photographic collection of Swiss collectors Rudolf, Christine and Thomas Bechtler”, KunstMuseum Bonn, Switzerland

“We Will Live, We Will See”, Zabludovic Collection, London

“After Hours: Murals on the Bowery”, Art production Fund, NY, NY.

“Notations/Everyday Disturbances”, Philadelphia Museum of Art, Phila, PA.

“Car Fetish. I drive therefore I am”, Museum Tinguely, Basel, Switzerland.

“That’s the Way We Do It: The Techniques and Aesthetic of Appropriation. From Ei Arakawa to Andy Warhol”, Kumsthaus, Bregenz

“Unpainted Paintings”, Curated by Alison Gingeras Luxembourg & Dayan, NY, NY.

“Legacy: The Emily Fisher Landau Collection”, Whitney Museum of American Art, NY.

“Creating the New Century: Contemporary Art from the Dicke Collection”, The Dayton Art Institute, Dayton, OH.

“Black Swan”, Regen Projects, Los Angeles, CA.

“Staging Action: Performance in Photography since 1960”, MOMA, NY, NY.

“The Collection and Then Some”, Modern Art Museum of Fort Worth, Fort Worth, TX.

“Peter Saville: Accessories to an Artwork”, Glenn Horowitz Bookseller, East Hampton, NY.

“Picture Industry (Goodbye to all that)”, Curated by Walead Beshty, Regen Projects, Los Angeles

“Kupferstichkabinett: Between Thought and Action”, White Cube, London

“Multiple Pleasures: Functional Objects in Contemporary Art”, Curated by Nathalie Karg/Cumulus Studios, Tanya Bonakdar Gallery, NY, NY.

“POP: The Artist in the Age of Pop”, National Gallery of Canada, Ottawa, ON.

“Koons, McEwen, Prince, Stingel”, Stellan Holm Gallery, NY, NY.

“Tom of Finland and Then Some”, Feature, NY, NY.

“The Modern Myth: Drawing Mythologies in Modern Times”, MOMA

“Haunted: Contemporary Photography/Video/Performance”, Guggenheim Museum, New York.

“Your History is Not Our History”, Haunch of Venison, NY, NY.

“Sexuality and Transcendence”, PinchukArtCentre, Kiev, Ukraine.

“Crash: Homage to JG Ballard”, Gagosian Gallery, London

“Rewind: Selected works from the MCA collection 1970’s to 1990’s, MCA Chicago

“Knock Knock, Who’s There? That Joke Isn’t Funny Anymore”, Armand Bartos Fine Art, New York

“The Anniversary Show”, SFMOMA

“Skin Fruit: Selections from the Dakis Joannou Collection”, New Museum, NY.

“Collecting Biennials”, Whitney Museum of American Art, NY.

“Looking at Music: Side 2”, Museum of Modern Art, NY

“EXPOSED”, Delaware Art Museum

“STAGES”, Galerie Emmanuel Perrotin, Paris – Livestrong Benefit

“Pete and Repeat” Works from the Zabludovic Collection, London.

“Controverse, photographies a histories” march – may , BnF, Paris

“Fifteen People Present Their Favorite Book (After Kosuth)” April to May – Glenn Horowitz Bookseller, East Hampton

Louis Vuitton and the Passion for Creation, Hong Kong Museum of Art, Hong Kong (May 2009)

“The Pictures Generation”, Metropolitan Museum of Art

“Into the Sunset”, Museum of Modern Art, New York

Pinault Collection: Palazzo Grassi & Palazzo Dogana, Venice, Italy (June 2009)

The Brant Foundation Art Study Center Greenwich, CT "Remembering Henry's Show"

“POP: The Artist in the Age of Pop”, Tate Modern, London, England (October 1, 2009 - January 17, 2010)

“UFO” NRW-Forum Kultur und Wirtschaft Dusseldorf – May 23 – July 5th

“Wall Rockets”, FLAG Art Foundation, Nov 08 – Albright Knox Museum – May 09

“Sonic Youth etc.:Sensational Fix” – Production LiFE (Saint-Nazare, France) & Museion (Bolzno, Italy), Malmo Konsthall, Sweeden (2009)

“Street & Studio” Museum Folkwang, Essen
“Black & White”, Stellan Holm Gallery

"Meet Me Around the Corner - Works from the Astrup Fearnley Collection," Astrup Fearnley Museet for Moderne Kunst, Oslo

“Who’s Afraid of Jasper Johns?” Tony Shafrazi Gallery, New York

"Collier Schorr: Freeway Balconies," Deutsche Guggenheim, Berlin

"Purple Anthology; Art Prose Fashion Music Architecture Sex," John McWhinnie at Glenn Horowitz Bookseller, New York

"No Images of Man," Gering & Lopez Gallery, New York

"You Can Go Your Own Way," Renwick Gallery, New York

"Sympathy for the Devil: Art and Rock Since 1967," Museum of Contemporary Art, North Miami

"I Love the Horizon," Magasin, Centre National d'Art Contemporin, Grenoble

"Photography on Photography, from the 1960s to the Present," The Metropolitan Museum of Art, New York

"Depreciation and Devastation," Gavin Brown's Enterprise at Passerby, New York

"Typed," Sadie Coles, London

“John Dogg,” Kunsthalle Zurich

“Radical Advertising,” Projects GmbH, Dusseldorf

“Street & Studio: An Urban History of Photography,” Tate Modern, London

“God & Goods,” Villa Manin Centro d'Arte Contemporanea, Codroipo, Italy

“Sonic Youth etc.:Sensational Fix” – Production LiFE (Saint-Nazare, France) & Museion (Bolzno, Italy), Malmo Konsthall, Sweden

“An Unruly History of the Readymade” Fundacion/Coleccion Jumex

”Pipe, Glass, Bottle of Rum: The Art of Appropriation”, MOMA

“The Unforgiven” Stellan Holm Gallery

“Wall Rockets”, FLAG Art Foundation, Nov 08 – Albright Knox Museum

“for what you are about to receive” Gagosian Gallery @ Red October Chocolate Factory, Moscow

“Wives, Wheels, Weapons”, Glenn Horowitz Bookseller, Easthampton, NY.

“Faces and Figures (revisited)”, Marc Jancou Contemporary

“Excerpt, Selections from the Jeanne Greenberg Rohatyn Collection”, The Frances Lehman Loeb Art Center, Vassar College

“Bookish”, Lewis Gluckman, Cork Ireland

“Frieze Projects,” Frieze Art Fair, London

“My Sweet Sixteen Party,” Rodolphe Janssen, Brussels

"Now Playing: Artists Who Borrow From Film," Glenn Horowitz Bookseller, East Hampton, NY.

"Jubilee Exhibition," Eva Presenhuber, Zurich

"Fractured Figure," DESTE Foundation for Contemporary Art, Athens

"Fractured Figure: Works from the Dakis Joannou Collection," DESTE Foundation for Contemporary Art, Athens

"Body Politicx," Witte de With Center for Contemporary Art, Rotterdam

"New Acquisition," Le Casa D'Arte, Milan

"Heroines: Richard Prince, Madame Butterfly, "The Arnold and Marie Scwartz Gallery, Metropolitan Opera, New York

"Counterparts: Contemporary Painters and their Influences," Contemporary Art Center of Virginia, Virginia Beach

"Sequence 1: Painting and Sculpture from the Pinault Collection," Palazzo Grassi, Venice, Italy

"Brave Lonesome Cowboy: The Myth of the Western in Contemporary Art-Or: For the Hundredth

Birthday of John Wayne," Galerie Der Stadt Esslingen Am Neckar and Kunstmuseum St. Gallen, Esslinghan, Germany

"Paper, Painting and Sculpture," Fisher Landau Center For Art, Long Island City, New York

"Situation Comedy: Humor in Recent Art," Independent Curators International, Traveling Exhibition

"Lights Camera Action: Artist's Film for the Cinema," Whitney, New York

"Robert Mangold, Richard Prince," Andrea Rosen Gallery, New York

"Light Sentence," Zeuggasse 7, Obergeschoss, Germany

“Fit to Print, Printed Media in Recent Collage” Gagosian Gallery

“Art in America: 300 Years of Innovation”, Guggenheim Museum – Beijing, Shanghai, Moscow, Bilbao (2008)

"Damien Hirst's Murderme Collection: In the Darkest Hour there May be Light," Serpentine Gallery, London

“ANOS 80: UMA TOPOLOGIA (The 1980's: A Topology)," Fundação Serralves, Porto, Portugal

"Implosion," Anton Kern Gallery, New York, New York

"A Thousand Things," MU meets 2KbyGingham, Eindhoven, Holland

"Made In China," Gallery 51, Antwerp

"The Other Side #2," Tony Shafrazi Gallery, New York

"Magritte and Contemporary Art: The Treachery of Images," LACMA, Los Angeles

"Wrestle," CCS Bard /Hessel Museum of Art, Annandale-on-Hudson, New York

"Seventy-five at 75:Selections from the Joseph and Elaine Monsen Photography Collection at the Henry Art Gallery", Faye G. Allen Center for the Visual Arts University of Washington, Seattle

"The Big Nothing," ICA University of Pennsylvania, Philadelphia

"Defamation of Character," PS 1 MoMA, New York

"Surprise, Surprise," ICA, London

"Likeness: Portraits of Artists by Other Artists," CCA Virginia, Virginia Beach

"The Other Side," Tony Shafrazi Gallery, New York

"Medium Fotografie," Stampa Galerie, Base

“Hollywood Boulevard,” Galeria Fortes Vilaca, Sao Paulo

“New Trajectories I: Relocations: Recent painting, drawing and multi-media work from the Ovitz Family Collection, Los Angeles,” Cooley Gallery at Reed College, Portland

“Dark Places,” Santa Monica Museum of Art, Santa Monica

"Self Portraits," Skarstedt Fine Art, New York

"Looking at Words," Andrea Rosen Gallery, New York

"Nudes In Vogue," Mitchell-Innes & Nash, New York

“Drunk vs. Stoned”, General Store in association with Gavin Brown’s enterprise, New York

“Atlantic & Bukarest,” Kunstmuseum Basel, Basel

“Photographic Works,” Jurgen Becker, Hamburg, Germany

“Faces in the Crowd: Picturing Modern Life from Manet to Today,” whitechapel, London

“100 Artists See God,” Contemporary Art Center of Virginia, Virginia Beach

"Faking Real," LeRoy Neiman Gallery, Columbia University School of the Arts, New York

“girls on film,” Zwirner & Wirth, New York

"Important, Modern and Contemporary Art," Gary Nader, Miami

“The Last Picture Show,” Walker Art Center, UCLA Hammer

"2004 Biennial Exhibition," Whitney Museum of American Art, New York

“The Big Nothing,” Institute of Contemporary Art, Philadelphia

"100 Artists See God," Independent Curators International, New York. Traveling. November 19 – January 9, 2005.

“Planet B: The Aesthetics of B Movies in Contemporary Visual Arts,” Magazin 4,
Vorarlberger and Bregenzer Kunstverein, Bregenz, Austria

"Motorcycles and Art," Susquehanna Art Museum, Harrisburg, Pennsylvania

“I am the Walrus,” Cheim and Read Gallery, New York

"Hollywood Blvd," Presenca Galeria, Porto
“Indigestible Correctness I,” Participant Inc, New York.

“The Frank Cohen Collection: A Selection,” London

“Power, Corruption, and Lies,” Roth Horowitz, New York

“The Charged Image: from the collection of Douglas S. Cramer,” Joseloff Gallery, Hartford Art School, University of Hartford, West Hartford, CT

“Precarious Scuplture,” Kunsthalle Wien
Flick Collection at Hamburger Bahnhof

“Undiscovered Country,” UCLA Hammer Museum

“On the Road: Photography After Kerouac,” Whitney Museum, New York

“East Village USA,” New Museum, New York

“Faces in the Crowd: The Modern Figure and Avant-Garde Realism,” Whitechapel Art Gallery, London; travelled to Castello di Rivoli Museum d’Arte Contemporanea, Turino

“Modernism,” Gagosian Gallery, New York

“Persona,” IKON LTD./ Kay Richards Contemporary Art, Santa Monica, California

La Biennale di Venezia, "Delays and Revolutions," Padiglione Italia. June – September.

"The Fourth Sex: The Extreme People of Adolescence," Pitti Imagine, Milano. Through February 8.

"Unreal Estate Opportunities," PKM Gallery, Seoul.

"Back in Black," Cohan, Leslie, and Browne, New York. June 26 – August 9.

"Summer Program," curated by Katy Siegel, Apexart Curatorial Program, New York. June 15 – July 26.

"Stranger in the Village," Guild Hall, Easthampton. August 9 – October 20.

"Artist's Choice," Museum of Modern Art Queens. Through February 2, 2004.

"Only Skin Deep," International Center of Photography, New York

"The Last Picture Show," Walker Art Center, Minneapolis. Traveling. November 10 – April 1, 2004.

"Imperfect Innocence: The Debra and Dennis Scholl Collection," Contemporary Museum,
Baltimore and Palm Beach Institute of Contemporary Art. March 15 – June 15.

"Everyday Aesthetics: Works from the Astrup Fearnley Collection," Astrup Fearnley

Museum, Oslo. September 13 – December 12.

"Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography," The
Institute of Contemporary Art, Boston

"watery, domestic," Renaissance Society, Chicago. November 17 – December
22.

"Public Affairs," Kunsthaus Zurich

"Short Stories," Henry Art Gallery, Seattle

"To Whom it May Concern," CCAC Wattis Institute for Contemporary Arts, San Francisco

"The Photographic Impulse: Highlights from the Joseph and Elaine Monsen

Photography Collection," Henry Art Gallery, Seattle

"Visions from America: Photographs from the Whitney Museum of American Art,"
Whitney Museum of American Art, New York

"Art Downtown: New York Painting and Sculpture," New York

"Copy," Roth Horowitz, New York.

"New Visions of the West," Nassau County Museum of Art, Roslyn Harbor, New York

"Seeing Things: Photographing Objects 1850 - 2001," The Canon Photography Gallery at the Victoria and Albert Museum, London

"TRANSFORMER," Air de Paris, curated by Inez van Lamsweerde and Vinoodh Matadin

"Summer Reading," Frances Lehman Loeb Art Center, Poughkeepsie, NY

"Televisions," Kunsthalle Wien

“Art at the Edge of the Law,” The Aldrich Museum of Contemporary Art, Ridgefield, CT

“Brooklyn Academy of Music Photography Portfolio,” Cheim & Reid Gallery, New York

“Parkett, Collaborations and Editions since 1984,” Museum of Modern Art, New York

“Spiritual America," Audiello Fine Art, New York

“Settings and Players: Theatrical Ambiguity in American Photography,” White Cube, London

“Mythic Proportions: Painting in the 1980s," Museum of Contemporary Art, Miami

Galerie Jablonka, Cologne

“Au-delà du Spectacle,” Centre Pompidou, Paris

"Customized: Art Inspired by Hot Rods, Low Riders, and American Car Culture" Institute of
Contemporary Art, Boston

“Apocalypse: Beauty & Horror in Contemporary Art,” Royal Academy of Arts, London

“Around 1984: A Look at Art in the Eighties,” PS1 Contemporary Art Center, New York

“Art & Facts,” Galleria Franco Noero, Torino, Italy

“Drive:power>progress>desire,” Govett-Brewster Art Gallery, New Plymouth, New Zealand

“Couples,” Cheim & Read, New York

“Let’s Entertain," Walker Art Center, Minneapolis, MN ,travelled to Centre Pompidou, Paris and Miami Art Museum

“Art at Work”, Queens Museum of Art, New York, Selected JPMorgan Chase Art Collection Exhibitions

Art in Embassies Program, Slovak Republic, “Art in America: 2000”

The Whitney Museum of American Art, New York, “The American Century – Part II”

Real Art Ways, Hartford, CT, “Horse Play”

Museum of Contemporary Art, Chicago, “Transmute”

Barbara Gladstone Gallery, New York, “Plain Air”

Museum of Modern Art, New York, “Fame after Photography”

Whitechapel Art Gallery, London and The Museum of Contemporary Art, Chicago,
“Examining Pictures”

Marianne Boesky Gallery, New York, “Real Stories”

The Cleveland Museum of Art, “Cleveland Collects Contemporary Art"

Matthew Marks and Pat Hearn Gallery, “Painting: Now and Forever Part I”

Museum of American Art, Pennsylvania Academy of Fine Arts, “Dispersal of Pop
Abstraction”

Deichtorhallen Hamburg “Die Rache der Veronika,” Fotosammlung Lambert

Deichtorhallen, Hamburg, “emotion - Young British and American art from the Goetz Collection"

The Power Plant, Toronto, “American Playhouse: The Theatre of Self-Presentation”

Whitney Museum of American Art, New York, “The Whitney Biennial,”

Deichtorhallen, Hamburg, "Birth of the Cool,”

“American Painting from Georgia O'Keeffe to Christopher Wool,” Kunsthaus, Zürich

David Zwirner Gallery, New York, “Someone Else With My Fingerprints,”
Traveling to Galerie Hauser & Wirth, Zürich; August Sander Archiv, Cologne;
Kunstverein München; Kunsthaus München

Baumgartner Galleries, Washington, D.C.
“New York on Paper”

Gotlands Konst Museum, Visby, Sweden, "New York Scene"

The Saatchi Gallery, London, "Young Americans: New American Art in the Saatchi Collection,"

The Power Plant, Toronto, "The American Trip,"

Bard College, New York, "Who Do You Think You Are?"

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, "a/drift: Scenes from the Penetrable Culture"

Kunsthalle Zürich, Zürich, "Playpen of Corpus Delirium"

Gramercy International Art Fair, Los Angeles
Musée d'Art Moderne, Paris, "Passions Privée"

Friedrich Petzel Gallery, New York, “Screen”

Le Consortium, Nouvelles Scenes 95, Dijon, France, "Photocollages"

Galerien der Stadt Esslingen am Neckar, 3.Internationale Foto-Triennale, "Close to Life,"

Alessandra Bonomo, Rome

University Art Museum, Berkeley, CA, "In A Different Light,"

Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz, Germany, "Pittura / Immedia,"

Musée du Luxembourg, Paris, "L'effet cinéma"

Randolf Street Gallery, Chicago, “Art as Dramatic Comedy”

"Multiple Exposure: The Group Portrait in Photography," Independent Curators
International, New York

Kunstmuseum Wolfsburg, Wolfsburg, Germany, "Tuning Up,"

Paula Cooper Gallery, New York, "Pictures of the Real World (In Real Time),"

Galeria Luisa Strina, São Paolo, Brazil, "Das Americas," traveling exhibition

Luhring Augustine, New York, "The Ossuary"
Galerie Asbaek, Copenhagen

Per Skarstedt Fine Art, New York, "Cowboys and Jokes - Works from 1980-1988"

Kunsthalle Wien, Vienna, "The Language of Art"

Knoedler & Co., New York, "Up in Smoke: Photographs 1991-1992,"

International Center of Photography, New York, "Commodity Image"

Galerie Johnen & Schöttle, Cologne, "Patrick Painter Editions"

Galerie Jürgen Becker, Hamburg, "Sean Landers, Raymond Pettibon, Richard Prince"

Center for the Fine Arts, Miami, "Photoplay: Works from the Chase Manhattan
Collection"

Thread Waxing Space, New York, "I Am the Enunciator"

The Contemporary Arts Center, Cincinnati

"Mettlesome Meddlesome: Selections from the Collection of Robert J. Shiffler"

Barbara Gladstone Gallery, New York, "c. 1980"

"Documenta IX," Kassel, Germany

Museum of Modern Art, New York, "Allegories of Modernism: Contemporary Drawings,"

"Ars Pro Domo," sponsored by Museum Ludwig, Cologne, curated by W. Dickhoff

Kunstraum Daxer, Munich, "Selected Works from the Early 80's,"

Wexner Center for the Arts, Columbus, OH, "Re: Framing Cartoons,"

The Aldrich Museum of Art, Ridgefield, CT. "Quotations: The Second History of Art"

Art Center College of Design, Pasadena, CA, "Hollywood Hollywood"

University Art Museum, Santa Barbara, CA, "Knowledge: Aspects of Conceptual Art"
travelled to Santa Monica Museum of Art and North Carolina Museum of Art, Raleigh, NC

Chiesa di San Lorenzo, Aosta, Italy, "Theoretically Yours," Collins &Milazzo

Gerald Peters Gallery, Dallas, "Summer Stock"

Galerie Micheline Szwajcer, Antwerp, "Mees, Klingelhöller, Therrien & Prince"

International Center of Photography Midtown, New York, "Special Collections-
The Photographic Order from Pop to Now,"

Rena Bransten Gallery, San Francisco, "Childhood Revisited"

Palazzo delle Albere, Trento, Italy, "American Art of the 80's"

Paula Cooper Gallery, New York, ACT-UP Benefit Art Sale

Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France

Walter Gropius Bau, Berlin, "Metropolis"

Central Museum, Utrecht, the Netherlands, "Night Lines"

Central Museum, Utrecht, the Netherlands, "The Words and the Images"

Indianapolis Museum of Art, "Power: Its Myths, Icons, and Structures in American Art,1961-1991"

Museum of Contemporary Art, Wright State University, Dayton, OH, "Words &
Number's"

Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France "OeuvresOriginales"

Margo Leavin Gallery, Los Angeles, "20th Century Collage"

Galerie Pierre Huber, Geneva, "La Revanche de L'Image"

Fernando Alcolea Gallery, Barcelona, "Rope"

Rosa Esman Gallery, New York, "To Wit"

Robert Miller Gallery, New York, "Portraits on Paper"

Pat Hearn Gallery, New York

Stuart Regen Gallery, Los Angeles

Luhring-Augustine-Hetzler, Santa Monica

The Israel Museum, Jerusalem, "Life Size: A Sense of the Real in Recent Art"

Milwaukee Museum of Art, "Word as Image: American Art 1960-1990"

Travelling to Oklahoma City Arts Museum and Contemporary Art Museum, Houston

National Museum of Modern Art, Kyoto, "Images in Transition: Photographic
Representation in the Eighties"

Tony Shafrazi Gallery, New York, "The Last Decade: American Artists of the 1980's,"Curated by Collins and Milazzo

Whitney Museum of American Art Downtown at Federal Reserve Plaza, "The Charade of Mastery,"Centre Pompidou, Paris, "Art et Publicité 1890-1990"

303 Gallery, New York, and Stuart Regen Gallery, Los Angeles, "Paintball"

The New Museum, New York, "The Decade Show: Frameworks of Identity in the
80's"

Andrea Ruggieri Gallery, Washington, D.C., "The Age of Information"

Galleri Nordanstad-Skarstedt, Stockholm, "Disconnections"

International Center of Photography Midtown, New York, "The Indomitable Spirit:
Photographers and Friends United Against AIDS,", traveling to Los
Angeles Municipal Art Gallery

Massimo Audiello Gallery, New York, "The Last Laugh: Irony, Humor, Selfmockery, andDerision,"

Paleis voor Schone Kunsten, Brussels, "WittgensteinThe Play of the Unsayable,"
Curated by Joseph Kosuth

Whitney Museum of American Art, New York, "Image World: Art and Media Culture"

Museum of Contemporary Art, Los Angeles, "A forest of SIGNS: ART IN THE CRISIS OF REPRESENTATION"

Festival of Vienna, Vienna, "Moskau - Wien - New York"

Frankfurter Kunstverein, Frankfurt, "Prospect Photographie"

Festival Nouvelles Scenes '89, Dijon, France, "Une Autre Affaire"

The School of Visual Arts Gallery, New York, "Dream Reality," Curated by Peter Nagy

Museum am Ostwall, Dortmund, West Germany, "In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst"

Kunstverein in Hamburg, "D & S Ausstellung"

Yokohama Museum of Art, Japan "Contemporary Art from New York: The Collection of the Chase Manhattan Bank,"

National Museum of American Art, Washington, D.C. "The Photography of Invention: American Pictures of the 1980's"

International Museum of Photography at George Eastman House, Rochester, New York, "New Acquisitions, New Work, New Directions"

Simon Watson Gallery, New York, "Re-presenting the 80's"

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York "Suburban Home Life: Tracking the American Dream"

Whitney Museum of American Art at Equitable Center, New York, "Nocturnal Visions in Contemporary Painting"

Rheinhalle, Cologne Fair Grounds, Cologne, "Bilderstreit"

Frankfurter Kunstverein, "Prospect '89"

University Galleries, Illinois State University, Normal, IL, "Through a Glass, Darkly"

Victoria and Albert Museum, London, "Photography Now"

Monika Sprüth Galerie, Cologne, "Scripta Manent - Verba Volant"

Stedman Art Gallery, Rutgers University, Camden, NJ, "Conspicuous Display,"

Stedelijk Museum, Amsterdam, "Horn of Plenty: Sixteen Artists from New York City"

Mai 36 Galerie, Lucerne, "Arrangements 1"

Hallwalls Contemporary Arts Center, Buffalo, "Amerikarma"

Städt. Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein für d. Rheinlande

u. Westfalen, Düsseldorf, "BiNATIONALE: Deutsche/Amerikanische Kunst der
80er Jahre," Travelling to The Institute of Contemporary Art, Museum of Fine
Arts, Boston

PPS. Galerie F.C. Grundlach, Hamburg and Galleri Contur, Stockholm, "Das Licht von der anderen Seite"

Daniel Weinberg Gallery, Los Angeles, "New Works by Ashley Bickerton, Robert Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher Wool"

PS. Galerie F.C. Gundlach, Hamburg, "Gangs of Surrogate Entertainers Since McCollum - Robbins"

Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, "Modes of Address: Language in Art Since 1960"

Centre National des Arts Plastiques, Paris, "The Object of the Exhibition,"

Halle Sud, Geneva, "Reprises de Vues"

Lorence-Monk Gallery, New York, "Lifelike"

Kunsthalle Zürich, Zürich, "Allan McCollum-Richard Prince"

Metro Pictures, New York, "Hover Culture"

Clocktower Gallery, New York, "Nostalgia as Resistance"

Cable Gallery, New York, "A 'Drawing' Show"

The Haggerty Museum of Art, Marquette University, Milwaukee, "Photography on the Edge"

Wallach Art Gallery, Columbia University, New York, "Sexual Difference: Both Sides of the Camera"

The Bruce Museum, Greenwich, CT, "Photographic Truth"

Venice Biennial, Venice, "Aperto '88," included in an installation by Robert Gober

Sidney Janis Gallery, New York, "Recent Tendencies in Black and White”

Le Case d'Arte, Milan

Galerie Nächst St. Stephan, Vienna, "Fotografien"

Knight Gallery/Spirit Square Arts Center, Charlotte, NC, "Romance,"

Los Angeles County Museum of Art, "Photography and Art: Interactions since 1946," Travelled to Whitney Museum of American Art, New York

"1987 Biennial Exhibition"

John Good Gallery, New York, "True Pictures"

Harm Bouckaert Gallery, New York, "Prints"

Galerie Christoph Dürr, "Der Reine Alltag"

Hillwood Art Gallery, C.W. Post Campus/Long Island University, New York, "Perverted by Language"

Whitney Museum of American Art at Philip Morris, New York "The Viewer as Voyeur"

Hoffman Borman Gallery, Los Angeles, "The New Who's Who"

The 6th Biennial of Sydney, Australia,

Holly Solomon Gallery, New York, "Text and Image: The Wording of American Art"

Castelli Graphics, New York, "The Moral Essays"

Institute of Contemporary Art, Boston, "As Found"

Michael Kohn Gallery, Los Angeles, "Post-Pop"

San Francisco Camerawork, CA, "Products and Promotion,"

Wiener Festwochen, Wiener Secession, Vienna, "Wien Fluss,"

Colin De Land Gallery, New York (with John Dogg)

LACE, Los Angeles, "TV Generations"

Queens Museum, New York, "The Real Big Picture"

Whitney Museum of American Art, New York, "1985 Biennial Exhibition,"

303 Gallery, New York (with David Robbins)

New Museum of Contemporary Art, New York, "The Art of Memory/ The Loss of History”

Center for Contemporary Arts, Santa Fe,, "Strategies of Appropriation"

ARC/Musee d'Art Moderne de la Ville de Paris, France, "New York: Ailleurs et Autrement,"

Washington Project for the Arts, Washington, D.C., "The Magazine Stand"

Spiritual America, New York, "Pop"

Contemporary Arts Museum, Houston, "The Heroic Figure"

Allen Memorial Art Museum, Oberlin College, OH, "Drawings: After Photography"

Knight Gallery, Spirit Square Arts Center, Charlotte, NC, "Jenny Holzer, Barbara Kruger, Richard Prince"

The New Museum of Contemporary Art, New York, "Language, Drama, Source and Vision"

Biennale of São Paolo, Brazil

John Weber Gallery, New York, "Science Fiction"

Institute of Contemporary Art, Philadelphia, "Image Scavengers,"

The Contemporary Arts Center, Cincinnati, "Face It"

The Renaissance Society at the University of Chicago, "Art and the Media"

Allen Memorial Art Museum, Oberlin College, OH, "New Voices 2: Six Photographers Concept/Theater/Fiction"

5th Wiener Internationale Biennale, Wiener Secession, Vienna, "Erweiterte Fotografie"

Hayden Gallery, Massachusetts Institute of Technology, Cambridge, "Body Language,"

ARC/Musee d'Art Moderne de la Ville de Paris, "Ils se disent peintres, ils se dissent hotographes"

Metro Pictures, New York

Castelli Graphics, New York, "Pictures - Photographs"

Hartford Art School, University of Hartford, Connecticut, "Imitation of Life"

Defying Darkness: Photography at Night, Museum of Photographic Arts, San Diego, CA

The Instant as Image: Moments of Action in Photography from the Permanent Collection, Neuberger
Museum of Art, Purchase College, SUNY, Purchase, NY

Physical: Sex and the Body in the 1980s, Los Angeles County Museum of Art, Los Angeles, CA

The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum, The J. Paul Getty Museum, Los Angeles, CA

Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York, NY; Musee national d art modern, Centre Pompidou, Paris, France

Mother of the Year - Between Strength and Crisis: Images of Motherhood from 1900 to the Present Day, LENTOS Kunstmuseum Linz, Linz, Austria

America Is Hard to See, Whitney Museum of American Art, New York, NY

Framing Desire: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX

Material Future: The Architecture of Herzog and de Meuron and the Vancouver Art Gallery, Vancouver
Art Gallery, Vancouver, Canada

Necessary Force: Art in the Police State, University of New Mexico Art Museum, Albuquerque, NM

Seven Deadly Sins: Lust, Hudson Valley Center for Contemporary Art, Peekskill, NY

Sleepless: The Bed in History and Contemporary Art, 21er Haus, Vienna, Austria

The Spring Cleaning, The Laundromt, New York, NY

Deliverance: Larry Clark, Cady Noland, Richard Prince, Christopher Wool, The Brant Foundation Art
Study Center, Greenwich, CT

69 / 96, Gebert Stiftung für Kultur, Rapperswil, Switzerland

Only the Good Ones: The Snapshot Aesthetic Revisited, Galerie Rudolfinum, Prague, Czech Republic

Somos libres II, Pinacoteca Gianni e Marella Agnelli, Turin, Italy

More American Photographs, Wexner Center for the Arts, Columbus, Ohio; California Museum of Photography, Riverside, CA

NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York

Ralph Gibson and Larry Clark: Friendship, Photography, and Films, Museum of Image and Sound, São Paulo, Brazil

Tobias Zielony 2008–2013, Berlinische Galerie, Museum of Modern Art, Photography and Architecture, Berlin, Germany

XXH: Collection of Estelle and Hervé Francès, Museum Dr. Guislain, Ghent, Belgium

9 Perspectives on a Photography Collection, Arthur Ross Gallery, University of Pennsylvania,
Philadelphia, PA

Bye Bye American Pie, Malba—Fundación Costantini, Buenos Aires, Argentina

Foto Triennale, Museet for Fotokunst, Odense, Denmark

Junge Menschen (Young People), Fotomuseum Winterthur, Zurich, Switzerland

More American Photographs, Denver, Denver, Colorado

Real to Real: Photographs from the Traina Collection, De Young Museum, San Francisco, CA

Reality Revisited: Photography from the Moderna Museet Collection, Västerbottens Museum, Umeå, Sweden

Summer Camp, Suzanne Tarasieve, Loft 19, Paris, France

20th anniversary exhibition, MMK Museum fur Moderne Kunst, Frankfurt, Germany

Ain’t, Gallery A-5, Frank Pictures, Santa Monica, CA

Another Story: Photographs from the Moderna Museet Collection, Moderna Museet, Stockholm, Sweden

Art in the Streets, Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA

L’insoutenable legerete de l’etre, Yvon Lambert, New York, NY; Yvon Lambert, Paris, France

More American Photographs, CCA Wattis Institute for Contemporary Arts, Kent and Vicki Logan
Galleries, San Francisco, CA

Exposed: Voyeurism, Surveillance, and the Camera since 1870, Tate Modern, London, England; San
Francisco Museum of Modern Art, San Francisco, CA; Walker Art Center, Minneapolis, MN

Bearing Witness: Works from the Collection, Vancouver Art Gallery, Vancouver, Canada

Indecent Exposure: A Discussion and Screening of Films You Are Unlikely to See Elsewhere, School of Visual Arts, New York, NY

The Library of Babel: In and Out of Place, Zabludowicz Collection, London, England

Ordinary Madness, Carnegie Museum of Art, Pittsburgh, PA

Play List, Moderna Museet, Jönköping, Sweden

Remembering Henry’s Show: Selected Works 1978–2008, Brant Foundation Art Study Center,
Greenwich, CT

So Be It: Interventions in Printed Matter, Andrew Roth Gallery, New York, NY

Tom of Finland and Then Some, Feature Inc, New York, NY

Twenty Five, Luhring Augustine, New York, NY

The View from Below: Photography, Innovation, and the Lower East Side, University of Michigan, Institute for the Humanities Gallery, Ann Arbor, MI

Familiar Feelings: On the Boston Group, Centro Galego de Arte Contemporánea, Santiago, Spain

Into the Sunset, Museum of Modern Art, New York, NY

Reality Revisited: Photography from the Moderna Museet Collection, Moderna Museet, Skeppsholmen, Stockholm, Sweden

Focus: The Figure, Denver Art Museum, Denver CO

Darkside—Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Winterthur (Zurich), Switzerland

Diana und Actaeon—Der Verbotene Blick auf die Nacktheit, Museum Kunst Palast, Düsseldorf, Germany

Faces: Ritratti nella fotografia del XX secolo, Fondazione Ragghianti, Lucca, Italy

The Greenroom: Reconsidering the Documentary and Contemporary Art, Hessel Museum of Art, Annandale-on-Hudson, NY

Leica + Hasselblad: A Selection of Classic Cameras from the David Whitmire Hearst Jr. Foundation
Collection, California Museum of Photography, Riverside, CA

Unmasked & Anonymous: Shimon & Lindemann Consider Portraiture, Milwaukee Art Museum, Milwaukee, WI

Who’s Afraid of America? WAS—Wonderland Art Space, Copenhagen, Denmark

From Francis Picabia to Jason Rhoades: Works from the Friedrich Christian Flick Collection im Hamburger Bahnhof, Hamburger Bahnhof, Hamburg, Germany; Museum für Gegenwart, Berlin, Germany

Las implicaciones de la imagen, Universidad Nacional Autónoma de México, Museo Universitario de Ciencias y Arte, Mexico City, Mexico

CURRENTS: Contemporary Photography by Former Heliographers, HP Garcia Gallery, New York, NY

Empty Nest: The Changing Face of Childhood in Art, 1880 to the Present, Nathan A. Bernstein Co., New York, NY

Into Me/Out of Me, Macro al Mattatoio, Museum of Contemporary Art Rome, Italy

Modern Photographs: The Machine, the Body and the City: Selections from the Charles Cowles Collection, Miami Art Museum, Miami, FL

A New Reality: Black-and-White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ

Out of Oklahoma: Contemporary Artists from Ruscha to Andoe, Price Tower Arts Center, Bartlesville, OK

Refugees of Group Selection, Franklin Parrasch Gallery, New York, NY

Wanted: Helmut Newton, Larry Clark & Ralph Gibson, Helmut Newton Foundation, Berlin, Germany

Americans: Masterworks of American Photography 1940 to Present, Kunsthalle Wien, Vienna, Austria

Art Metropole: The Top 100, National Gallery of Canada, Ottawa, Canada

Into Me/Out of Me, KW Institute for Contemporary Art, Berlin, Germany

Destricted, Tate Modern, London; Galerie Kamel Mennour, Paris, France

Hessel Museum opening at Bard‘s Center for Curatorial Studies, Annandale-on-Hudson, NY

Into Me / Out of Me, P.S.1 Contemporary Art Center, Queens, NY

The Other Side, Tony Shafrazi Gallery, New York, NY

Portraits of Artists: A Selection of Photographic Works from the Collection of Rex Capital, Rhode Island: In Collaboration with Olivier Renaud-Clement, Luhring Augustine, New York, NY.

Seven Documentarians: Berenice Abbott, Larry Clark, Jim Dow, Walker Evans, Danny Lyon, Gary
Winogrand, and Jay Wolke, List Art Center, Providence, RI

Surprise, Surprise, Institute of Contemporary Arts, The Mall, London, England

Yes, Yes, Yes, Museum Morsbroich, Leverkusen, Germany

Friedrich Christian Flick Collection im Hamburger Bahnhof, Berlin, Germany

La Photographie à l'épreuve, Institut d‘art contemporain, Villeurbanne-Lyon, France; Musée d‘Art Modern, Saint-Étienne Métropole, Saint-Étienne, France

PILLish: Harsh Realities and Gorgeous Destinations, Museum of Contemporary Art, Denver, CO

Real Pictures: Photographs from the Collection of Claudia Beck and Andrew Gruft, Vancouver Art
Gallery, Vancouver, Canada

Trials and Terrors, Museum of Contemporary Art, Chicago, IL

Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art, Independent Curators International, The Salina Art Center, Salina, KS; Museum of Contemporary Art, Denver, CO; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL; Indianapolis Museum of Art, Indianapolis, IN

Beautiful Losers, Iconoclast, the Cincinnati Contemporary Arts Center, Cincinnati, OH; Yerba Buena

Center for the Arts, San Francisco, CA

LOVE/HATE from Magritte to Cattelan: Masterpiece from the Collection of the Museum of Contemporary Art, Museum of Contemporary Art, Chicago, IL

Biennale d‘Art Contemporain de Lyon 2003, Lyon, France

A Clear Vision—Photographic Works from the F.C. Gundlach Collection, Internationales Haus der Photographie Deichtorhellen, Hamburg, Germany

The Forth Sex: Adolescent Extremes, Fondazione Pitti Immagine Discovery, Stazione Leopolda, Florence, Italy

Leisure, Aerolith, New York, NY

Micro Politicas: Arte en Contidianida 2001–1968 / Art and Everyday Life 2001–1968, EACC ESPAI d‘Art Contemporani de Castello, Valencia, Spain

My People Were Fair and Had Cum in Their Hair (but Now They’re Content to Spray Stars from Your Broughs), Team, New York, NY

Pictures from Within: American Photographs, 1958–2002, Whitney Museum of American Art, New York, NY

Another Day in Paradise, Galerie Karl Pfefferle, Munich, Germany

Aquisitions 1995, Museum Folkwang, Fotografische Sammlung, Essen, Germany

Bully, Galerie Karl Pfefferle, Munich, Germany

Copy, Roth Horowitz, New York, NY

Kids, Galerie Karl Pfefferle, Munich, Germany

Overnight to Many Cities: Tourism and Travel at Home and Away, The Photographers‘ Gallery, London, England

Roma, Roma, Roma, Rome, Italy

Session The Bowl 2002, Deitch Projects, New York, NY

Televisions: Kunst Sieht Fern, Kunsthalle, Vienna, Austria

The Film-Makers’ City, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain

Naked Since 1950, C&M Arts, New York, NY

Overnight to Many Cities, 303 Gallery, New York, NY

Walther Konig’s Buchermarket, teste aus Unserem Lager, Cologne, Germany

Presumed Innocent, Contemporary Art and Childhood, CAPC Musée d‘Art Contemporain, Bordeaux, France

The Quiet in the Land, Everyday Life, Contemporary Art, and Projecto Axé, Museu de Art Moderna da Bahia, Salvador, Brazil

The American Century: Art & Culture 1950-2000, Whitney Museum of American Art, New York, NY

Black or White, Malca Fine Art, New York, NY

Couples, Cheim and Read, New York, NY

Larry Clark, Bruce Weber, Corvi-Mora, London, England

Larry Clark, Gregory Crewdson, Eleni Koroneou Gallery, Athens, Greece

Rearview Mirror—Automobile Images and American Identities, UCR/California Museum of Photography, University of California, Riverside, Riverside, CA

Save the Day! Museum fur Moderne Kunst Frankfurt, Frankfurt, Germany

From the Heart: The Power of Photography - A Collector's Choice

C., Elizabeth Cherry Contemporary Art, Phoenix, AZ

Knowing Children, David Beitzel Gallery, New York, NY

La nuit, l’oubli (en souvenir de Gilles Dusein), La Fondation Mamco et le Musée d‘Art Moderne et Contemporain, Geneva, Switzerland

Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore, MD

Photographies, Galerie Roldolphe Janssen, Brussels, Belgium

Remix: Images Photographiques, Nantes Musée des Beaux-Arts, Nantes, France

STILLS: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

Time after Time, Emily Tsingou Gallery, London, England

Veronica’s Revenge, Stedelijk Museum, Sittard, The Netherlands

A/Drift, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

The American Trip, The Power Plant, Toronto, Canada

Black & Blue, New Groninger Museum, Groningen, The Netherlands

By Night, Fondation Cartier pour l‘Art Contemporain, Paris, France

Contemporary Photography | Absolute Landscape—Between Illusion and Reality, Yokohama Museum of Art, Yokohama, Japan

Exposure, Luhring Augustine, New York, NY

Family and Friends, Museum of Contemporary Photography, Columbia College, Chicago, IL

Image of Self as an Other, Porin Taidemuseo, Pori, Finland

Kunsthalle Basel, Basel, Switzerland

Larry Clark, Hans Schabus, Martin Walde, Weiner Secession, Vienna, Austria

The Longing for Punishment, Basel Art Fair, Rotterdam, The Netherlands

Nudo & Crudo—Sensitive Body, Visible Body, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy

Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels, Belgium

Presumed Innocence, Anderson Gallery, Virginia Commonwealth University, Richmond, VA

Sex & Crime: About Human Relations, Sprengel Museum Hannover, Hanover, Germany

The Sixties, Ehlers Caudill Gallery, Chicago, IL

Someone with My Fingerprints, David Zwirner Gallery, New York, NY; Galerie Hauser und Wirth, Zurich, Switzerland; Sander Foundation, Cologne, Germany; Kunstverein Munich, Munich, Germany

Youth, Galleri Index, Stockholm, Sweden

Multiple Exposure: The Group Portrait in Photography, Independent Curators International,The Bruce Museum, Greenwich, CT; Bayly Art Musuem, Charlottesville, VA; Oakville Galleries, Oakville, Ontario, Canada

Change of Scene X, Museum fur Moderne Kunst, Frankfurt, Germany

Close to Life, 3rd Internationale Foto-Triennale Esslingen, Villa Merkel und Bahnwarterhaus/Galerien der
Stadt Esslingen, Germany

Currents ’95: Familiar Places, Institute of Contemporary Art, Boston, MA

Dysfunctional: An Exhibition of Skateboard Art and Design, Blue Note Gallery, London, England

Feminin-Masculin: Le sexe de l’art, Mus e National d‘Art Moderne, Centre Georges Pompidou, Paris, France

Foundation Visual Arts, Middelburg, The Netherlands

Imperfect, Herter Gallery, University of Massachusetts, Amherst; Tyler Gallery, Temple University, Philadelphia, PA

It’s Not a Picture, Galleria Emi Fontana, Milan, Italy

Public Information: Desire, Disaster, Document, San Francisco of Modern Art, San Francisco, CA

Pulp Fact, The Photographers‘ Gallery, London, England

Recent Photography Acquisitions: Selections from the Permanent Collection, Whitney Museum of
American Art, New York, NY

Seeing Things, Fraenkel Gallery, San Francisco, CA

Several Exceptionally Good Recently Acquired Pictures (IX), Fraenkel Gallery, San Francisco, CA

Spaces for the Self: The Symbolic Imagery of Place, Museum of Contemporary Photography, Columbia College, Chicago, IL

Tibet House Benefit Show, Robert Miller Gallery, New York, NY

L’hiver de l’amour, Musée d‘Art Moderne, Paris, France

Larry Clark and Robert Frank, Galerie Rudiger Schottle, Munich, Germany

New Acquisitions 2, Art Metropole, Toronto, Canada

Nobuyoshi Araki and Larry Clark, Sala Parpallo, Valencia, Spain

Not Self-Portrait, Karsten Schubert, London, England

Ossuary, Luhring Augustine, New York, NY

Pictures of the Real World (in Real Time), Le C onsortium, Dijon, France; Le Capitou Art Contemporain Frejus, France; Paula Cooper Gallery, New York, NY; Stadtische Galerie, Göppingen, Germany; Galleria Massimo de Carlo, Milan, Italy; Ynglingagatan 1, Stockholm, Sweden

Puber-alles (Why Am I Who I Am?), Stedelijk Museum, Amsterdam, The Netherlands

Smells Like Teen Spirit, Galleri Nicolai Wallner, Copenhagen, Denmark

Under Development: Dreaming in the MCA’s Collection, Museum of Contemporary Art, Chicago, IL

The Use of Pleasure, Terrain, San Francisco, CA

CHANGING I dense cities, Shedhalle Zurich, Switzerland

I Am the Enunciator, Thread Waxing Space, New York, NY

Larry Clark, Jo Brunenberg, Ramon Muxter, Simera-Signe Galleries, Maastricht, The Netherlands

Nobuyoshi Araki, Sophie Calle, Larry Clark, Jack Pierson, Luhring Augustine, New York, NY

One of Us, Galerie Snoei, Rotterdam, The Netherlands

REAL SEX, Salzburger Kunstverein, Salzburg, Austria

Repression, Enkehuset Foundation, Stockholm, Sweden

Several Exceptionally Good Recently Acquired Pictures VII, Fraenkel Gallery, San Francisco, CA

Slipping Through My Fingers, Galerie Snoei, Rotterdam, The Netherlands

The Nightshade Family, Museum Fridericianum, Kassel, Germany

Works on Paper, Paula Cooper Gallery, New York, NY

Spielholle, Akademie der Kunste und Wissenschaften, Frankfurt, Germany; Grazer Kunstverein, Graz,
Austria; Galerie Sylvana Lorenz, Paris, France

Addressing the Forbidden, Art Gallery of Brighton Polytechnic, Brighton Stills Gallery, Edinburgh,
Scotland

AMERICAN DOCUMENTS in the Fringe, Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Art Addicts, V-space, New York, NY

Dirty Data: The Collection of Wilhelm Schurmann, Ludwig
Forum fur Internationale Kunst, Aachen, Germany

JFK in Memoriam: Myth and Denial, Renee Fotouhi Fine Art East, East Hampton, NY; B4A Gallery, New York, NY

Object Choice, Hallwalls, Buffalo, NY

Photography: Expanding the Collection, Whitney Museum of American Art, New York, NY

Tattoo Collection, Andrea Rosen Gallery, New York, NY

The Young Rebel in American Photography, 1950–70, Museum of Modern Art, New York, NY

1969, Daniel Newburg Gallery, New York, NY

Erotic Desire, Perspektief, Rotterdam, The Netherlands

The Good, the Bad and the Ugly: Knowledge and Violence in American Art, Wesleyan University, Middletown, CT

ICP Uptown, New York, NY

The Interrupted Life, New Museum, New York, NY

Letters, Christine Burgin Gallery, New York, NY

LOUDER, Gallery 400, University of Illinois at Chicago, Chicago, IL

Group Show, Luhring Augustine Hetzler, Santa Monica, CA

Photography 1887-1989, Galerie Max Hetzler, Berlin, Germany

Agrupacion Fotografica de Guadalajara, Guadalajara, Mexico
Constructing a History: A Focus on MoCA’s Permanent Collection, Museum of Contemporary Art, Los Angeles, CA

Le mois de la photo, Galerie du Jour, Paris, France

Museum of Contemporary Art, Los Angeles, CA

Strip-tease de l’intime, Galerie Urbi et Orbi, Paris, France

Witkin Gallery, New York, NY

New York Cultural Center, New York, NY

Werkstatt für Photographie, West Berlin, West Germany

Kunsthalle, Basel, Switzerland
North Texas State University, Denton, TX

Ohio State University, Columbus, OH

University of California at Davis, Davis, CA

Rheinisches Landesmuseum, Bonn, West Germany

Whitney Biennial, Whitney Museum, New York, NY

Albright College, Reading, PA

DeCordova and Dana Museum, Lincoln, MA

An Exhibition of photographs from the collection of Sam Wagstaff, Corcoran Gallery of Art, Washington,
DC

"Portraits of America," Gagosian Gallery, 976 Madison Avenue, NY

"Cast from life," Skarstedt Gallery, NY

"Murdered out," Skarstedt Gallery, NY

"Regarding Warhol: Sixty Artists, Fifty Years," Metropolitan Museum of Art, NY

"Crash, Homage to JG Ballard," Gagosian Gallery, Britannia Street, London

"MONO: Olivier Mosset, Cady Noland," Migros Museum für Gegenwartskunst, Zurich

"Documenta 9," Kassel, Germany

"Strange Abstraction: Robert Gober, Cady Noland, Philip Taaffe, Christopher Wool," Touko Museum of Contemporary Art, Tokyo

"Whitney Biennial," Whitney Museum of Art, NY