The Brant Foundation
Our Mission
Founded by Peter M. Brant in 1996, The Brant Foundation has a mission to promote education and appreciation of contemporary art and design, by making works available to institutions and individuals for scholarly study and examination.
The Brant Foundation’s loan program, established in 1996, plays a crucial role in our mission to promote education and appreciation of contemporary art. The Foundation’s lending program increases public accessibility to the collection’s paramount pieces – broadening visibility to contemporary works critical to the history of art and its scholarship. Each year, the Foundation lends artwork to exhibiting venues worldwide, proudly supporting artists and art institutions around the globe. Please contact Allison Brant for more information about our loan program.
Additionally, The Brant Foundation offers a multitude of ongoing programs and events aimed to enhance and enrich the public’s experience with contemporary art. These programs are designed to facilitate art education, foster creative and scholarly development, and provide unique opportunities for anyone with an interest in contemporary art.
Click here to learn more about The Brant Foundation’s programs.
The Brant Foundation
Locations
The Brant Foundation has two locations, in Greenwich, CT and New York, NY. Sign up for our mailing list below and receive updates about upcoming exhibitions, programs, and events at both locations.
The Brant Foundation’s New York space is located at 421 E 6th Street, New York, NY 10009.
The Brant Foundation’s Greenwich space is located at 941 North Street, Greenwich, CT 06831.
CONTACT
| Allison Brant | Director |
| Zoe Larson | Associate Director |
| Sabrina Marsalisi | Director of Education |
| Cameron Pluta | Executive Assistant |
| Mario Fasani | Manager of Visitor Relations and Development |
Current Exhibition
Glenn Ligon
New York May 21st to July 19th, 2025
Free Admission · Walk-Ins Welcome
PRESS RELEASE: The Brant Foundation Art Study Center is pleased to announce an exhibition of works by American artist Glenn Ligon. Glenn Ligon features video, neon installations, and paintings by the artist, whose practice reconsiders American history through engagements with the written word. Opening to the public on May 21st, the exhibition will be on view throughout the foundation’s East Village space.
“We are honored to present a selection of Glenn Ligon’s works, many of which were also shown in Camden Art Centre’s 2014 exhibition Call and Response,” said The Brant Foundation’s founder, Peter M. Brant. “Ligon has been one of the most impactful and influential artists over multiple generations. His work deals with sensitive political and racial issues that transform our history into the current reality while delivering a beautiful, minimal yet abstract aesthetic characteristic of his distinct personal style.”
Glenn Ligon (American, b. 1960) has pursued a deep confrontation with American culture throughout his career. Drawing from a variety of sources—the texts of literary greats James Baldwin and Zora Neale Hurston, Richard Pryor’s stand-up comedy, and Steve Reich’s minimalist musical compositions, to name a few—Ligon’s work addresses the failures of representation in the American zeitgeist. He brings important cultural moments and artifacts into a broader, contemporary context. For instance, in Untitled (Bruise/Blues), Ligon draws from the recorded testimony of Daniel Hamm, one of six Black teenagers wrongfully incarcerated during the Harlem riots of 1964. The works take as their point of departure Hamm’s description of the police beatings he endured, even incorporating Hamm’s slip of tongue (bruise vs. blues) in Ligon’s sculptural neon reproduction.
Through multiple works, Ligon demonstrates how a legacy of representation complicates and confounds constructions of race, masculinity, identity and the nation itself. On the Foundation’s second floor, viewers encounter Ligon’s Rückenfigur (2009). The neon installation takes its name from the German art historical term Rückenfigur, which describes landscape painting that includes a figure seen from behind. The word “AMERICA” is illuminated in neon, yet something is off; a closer look reveals the text is facing away from the viewer and into the wall. This directional exclusion seems to remove the viewer from the artwork. In doing so, Rückenfigur suggests a culture and nation that has literally turned its back on its viewers.
About Glenn Ligon
Glenn Ligon received a bachelor of arts from Wesleyan University and attended the Independent Study Program at the Whitney Museum of American Art. In 2011, the Whitney held a mid-career retrospective, Glenn Ligon: AMERICA, organized by Scott Rothkopf, that traveled nationally. Ligon’s work has been shown in major international exhibitions, including the Venice Biennale (2015, 1997), Berlin Biennale (2014), Istanbul Biennial (2019, 2011), and Documenta 11 (2002). His solo exhibition and curatorial project All Over the Place recently concluded at the Fitzwilliam Museum at the University of Cambridge, England.
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