Foundation News

Open House Sundays

June 12th, 2016

Open House Sundays at The Brant Foundation

1-3pm on the following dates:

June 12th, 19th, 26th
July 10th, 17th
August 28th
September 4th, 11th

On view:

 Jonathan Horowitz: Occupy Greenwich

Parking for The Brant Foundation’s open house Sundays will be located at Greenwich Polo Club. A designated parking area will be on your immediate left before Greenwich Polo check-in. If you wish to stay for the polo match please proceed to Greenwich Polo check-in to purchase a ticket. You may also purchase a discounted ticket online at:

Please contact us with any questions: 203-869-0611 or

About Occupy Greenwich:

Opening amid the presidential election season, the exhibition is comprised mostly of work made over the course of Barack Obama’s eight-year presidency. As such, the exhibition presents a timely opportunity to examine Horowitz’s ever-evolving practice within the context of the current political landscape.

Since the early 1990s, Horowitz has created work that combines the imagery and ambivalence of Pop Art with the engaged criticality of conceptualism. His work in video, sculpture, painting and photography examines the deep-seated links between consumerism and political consciousness, as well as the political silences of postwar art. Recent painting projects have explored the personal psychology of mark making, at times prominently employing the hands of others. Appropriation of both pop cultural and art historical sources figures heavily in the show, with imagery transformed through both technology and the human hand.

Anchoring the exhibition is the installation November 4, 2008, which re-stages the day eight years ago when Obama was elected president. In the piece, 19 hours of CNN and Fox News coverage (originally presented as live feeds) play on back-to-back monitors in the center of a room. Red and blue carpets divide the space into opposing sides and 42 official presidential portraits circle the room, with Obama’s portrait in waiting on the floor.

Upon arrival at the Foundation, viewers are confronted by a functional solar panel sculpture on the lawn, which powers Horowitz’s video Apocalypto Now inside. Using found footage, the film weaves narratives on the history of the Hollywood disaster movie, climate change, terrorism, and the Christian apocalypse. In another room, a human scale, bronze statue of Hillary Clinton greets visitors. Rendered in the style of a 1970’s greeting card figurine, the sculpture is captioned “Hillary Clinton is a Person Too,” evoking Clinton’s vilification as both a political leader and a powerful woman.

Notwithstanding its political undertones, viewer participation and social interaction are recurring tenets of Horowitz’s work. A sculptural installation titled Free Store invites viewers to leave objects that they wish to discard and take away whatever they would like. Another work, Contribution Cubes, is a series of Plexiglas donation boxes each dedicated to a different charitable or political organization. Suggesting minimalist sculpture and relational aesthetics, the work describes the population that passes through the exhibition space through the varying donation amounts that accumulate. 402 Dots, the first of Horowitz’s Dot Paintings, is a monumentally scaled work comprised of 402 canvases, each painted by a different person. Participants in the project were instructed to paint a perfect, solid black dot with an 8-inch diameter in the center of a 12-inch square canvas, using only provided paint and brushes. The resulting dots all differ in size, shape, position, and texture. The paintings are hung in a brick pattern, suggesting a blown-up field of irregular Ben-Day dots. Like a vast population, together they create a paean to human struggle, acceptance, and individuality.


Current Exhibition

  • Spencer Sweeney


Greenwich May 10th to September 15th, 2022

  • Installation view
  • Installation view
  • Installation view

The Foundation’s double height gallery will feature several large-scale variations of the nude in repose. In these musings on the classical motif, Sweeney distills the figure down to its essence, conveyed through shape, hue, and line. Monochromatic paintings such as Before Behind (2019) and Moonlit Lady (2012) create a bold feminine figure in outline and emphasize a lyrical playfulness.  Improvisations such as Woman with Metronome (2019) is an exploration in the boundaries of abstraction and form. Sweeney refines the expression in his ongoing engagement with the characteristics of the feminine.

In addition to his paintings, music is central to Sweeney’s practice, and the artist has been a vital presence and performer in his own right in the nightlife and music scene of New York City. Further galleries will feature announcement paintings from various events, parties, musical shows, and concerts that Sweeney helped organize. The posters feature names of performers and artist collaborators such as Philip Glass, Laurie Anderson, Peter Doig, Telfar Clemens, Afrika Bambaataa, Craig Harris, Pete Drungle, Kai Althoff, Pheeroan akLaff, and Jay Rodriguez, among others.

Paintings produced to announce Headz, a collaborative art and music performance salon initiated by Sweeney, Urs Fischer, and Brendan Dugan, will also be on view. Headz was conceived as an open studio where artists – both established and amateur – could come together to draw, paint, or sculpt, and also became a hub for live improvisational music performances. The salon’s collaborative space shifted the act of art making into a shared experience.

About Spencer Sweeney

Spencer Sweeney was born in 1973 in Philadelphia, and lives and works in New York. Collections include the High Museum of Art, Atlanta; Museum of Contemporary Art, Chicago; and Museum of Modern Art, New York. Group exhibitions include the Whitney Biennial, New York (2006); and That Was Then, This Is Now, MoMA PS1, New York (2008). Performances include Hey, You Never Know (curated by Carol Greene and Kenny Schachter), 534 LaGuardia Place, New York (1998); and CrissCross: Some Young New Yorkers III, P.S.1 Contemporary Art Center, New York (1999). In 2015, Kitto-San published Spencer Sweeney, a retrospective monograph featuring interviews with fellow artists and other figures from Sweeney’s diverse cultural circles.

About The Brant Foundation Art Study Center

The Brant Foundation Art Study Center has a mission to promote education and appreciation of contemporary art and design, by making works available to institutions and individuals for scholarly study and examination. The Brant Foundation Art Study Center presents long-term exhibitions curated primarily from the collection. The collection is remarkable in that scores of artists are represented in depth, including works from the earliest period of their practice through their most recent works. Currently, The Brant Foundation, Inc., established in 1996, lends works to more than a dozen exhibitions per year. The Brant Foundation Art Study Center is located at 941 North Street, Greenwich, Connecticut.

In March 2019, The Brant Foundation presented a solo exhibition of works by Jean-Michel Basquiat to celebrate the inauguration of its new space in New York City’s East Village. Located at 421 East 6th Street, the space occupies a century-old building originally designed as a substation for Consolidated Edison. The building subsequently served as the home and studio of famed artist Walter De Maria from the mid-1980s until his death in 2013. Richard Gluckman of Gluckman Tang Architects renovated the former substation to create a 16,000-square-foot building that features 7,000 square feet of exhibition space arrayed across four floors. The project includes two new gardens adjacent to the structure and a landscaped roof terrace.

Join in the conversation with The Brant Foundation on Instagram via @TheBrantFoundation.

Media Contact

Anika Zempleni

Third Eye